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The Art of Kula

By: Shirley F. Campbell | Book details

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Bibliography

Affleck, D. (1983), ‘Manuscript XVIII Information on Customs and Practices of the People of Woodlark Island, by Carlo Salerio’, The Journal of Pacific History, 18 (1): 57–72.

Affleck, D. (n.d.), ‘Catalogue of the Civic Museum Collection, Milan, Italy: A Translation’, Paper presented to the 2nd Kula Conference, Charlottsville, Virginia, 1981.

Allied Geographical Section, Southwest Pacific Area (1942), Terrain Study No. 23, D ‘Entrecasteauxand TrobriandIslands, October: 33–49 (plus maps).

Arnheim, R. (1974), Art and Visual Perception: A Psychology of the Creative Eye, Berkeley: University of California Press.

Austen, L. (1934–35), ‘Procreation Among the Trobriand Islanders’, Oceania, 5: 102–113.

Austen, L. (1936), ‘The Trobriand Islands of Papua’, The Australian Geographer, 111 (No. 2): 10–22.

Austen, L. (1939), ‘The Seasonal Gardening Calendar of Kiriwina, Trobriand Islands’, Oceania, 9 (3): 237–253.

Austen, L. (1945), ‘Native Handicrafts in the Trobriand Islands’, Mankind, 3 (7): 193198.

Austen, L. (1945–46), ‘Cultural Changes in Kiriwina’, in Oceania, 16: 15–60.

Barnes, R. (1992), ‘Textile Design in Southern Lembata: Tradition and Change’, in J. Coote and A. Shelton, Anthropology, Art and Aesthetics, Oxford: Clarendon Press.

Barthes, R. (1967), Elements ofSemiology, London: Jonathan Cape.

Barton, R. P. (1917), ‘The Spirits of the Dead in the Trobriand Islands’, Man, 17–18: 109–110.

Battaglia, D. (1990), On the Bones of the Serpent: Person, Memory, and Mortality in Sabarl Island Society, Chicago: University of Chicago Press.

Beier, U. (1974), ‘Aesthetic Concepts in the Trobriand Islands’, Gigibori: A Magazine of Papua New Guinea Cultures, 1 (1): 36–39.

Beier, U. (1978), ‘TheMwali Shell as Art Object and Status Symbol’, in Oral History, 6 (3): 78–86.

Bellamy, R. L. (1908), ‘Notes on the Customs of the Trobriand Islander’, Annual Report on British New Guinea for the Year Ending 30th June, 1907, Brisbane: Government Printer.

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