Major Black American Writers through the Harlem Renaissance

By Harold Bloom | Go to book overview
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Zora Neale Hurston
c. 1891-1960

ZORA NEALE HURSTON was born probably on January 7, 1891, although she frequently gave her birth date as 1901 or 1903. She was born and raised in America's first all-black incorporated town, Eatonville, Florida. Her father, John Hurston, was a former sharecropper who became a carpenter, preacher, and three-term mayor in Eatonville. Her mother, Lucy Hurston, died in 1904; two weeks after her death, Hurston was sent to Jacksonville, Florida, to school, but wound up neglected by her remarried father and worked a variety of menial jobs. A five-year gap in her personal history at this time has led some biographers to conjecture that she was married; however, no evidence exists to support or disprove this speculation. In 1917 she began studies at Morgan Academy in Baltimore and in 1918 attended Howard University, where her first short story appeared in the college literary magazine. She later won a scholarship to Barnard College to study with the eminent anthropologist Franz Boas.

While living in New York Hurston worked as a secretary to the popular novelist Fannie Hurst. Though she only lived in New York for a short time, Hurston is considered a major force in the Harlem Renaissance of the 1920s and 1930s. She was an associate editor for the one-issue avant-garde journal Fire ! ! and she collaborated on several plays with various writers, including Mule Bone: A Comedy of Negro Life, written with Langston Hughes. Boas arranged a fellowship for Hurston that allowed her to travel throughout the South and collect folklore. The result of these travels was the publication of Hurston's first collection of black folk tales, Mules and Men (1935). Hurston is thought to be the first black American to have collected and published Afro-American folklore, and both of her collections have become much used sources for myths and legends of black culture. Her interest in anthropology took her to several Latin American countries, including Jamaica, Haiti, and Honduras. Her experiences in Jamaica and Haiti appear in her second collection of folk tales, Tell My Horse (1938).

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