Bibliography

a
Adams, A. (1973) ‘The Zone System for 35mm Photography’ in D.O. Morgan, D. Vestal and W.L. Broecker (eds) The Leica Handbook 15th edn, New York: Morgan and Morgan.
——(1981) The Negative: The New Ansel Adams Photography Series, Boston: New York Graphic Society.
Agee, J. and Evans, W. (1941) Let Us Now Praise Famous Men, Boston: Houghton Mifflin.
Alberti, L.B. (1435) Della Pittura, Janitschek (ed.) London: Routledge and Kegan Paul, 1956.
Annan, T. (1868) Old Closes and Streets of Glasgow. Published 1977 as Thomas Annan: Photographs of the Old Closes and Streets of Glasgow, 1868-1877, New York: Dover.
Arnheim, R. (1956) Art and Visual Perception, London: Faber & Faber.
——(1986) ‘On the Nature of Photography’ in New Essays on the Psychology of Art, Berkeley: University of California Press.
Auden, W.H. (1940) ‘Musée de Beaux Arts’ in Another Time, London: Faber & Faber.
Austin, J.L. (1962) How to Do Things with Words, Oxford: Oxford University Press.

b
BAAS (1874) Notes and Queries on Anthropology, for the use of Travellers and Residents in Uncivilized Lands, London: Edward Stanford (British Association for the Advancement of Science).
Banks, M.S., Aslin, R.N. and Letson, R.D. (1975) ‘Sensitive Period for the Development of Human Binocular Vision’, Science, 190:675-7.
Barrett, T. (1990) Criticizing Photographs: an Introduction to Understanding Images, California: Mayfield.
Barthes, R. (1977) Image—Music—Text, trans. S. Heath, London: Fontana.
——(1982) Camera Lucida: Reflections on Photography, trans. R. Howard, London: Jonathan Cape.
Baudelaire, C. (1859) The Mirror of Art, trans. J. Mayne, London: Phaidon, 1955.
——(1933) Nouvelles histoires extraordinaires, Oeuvres complétes, VII, Paris: Nelson.
Bazin, A. (1967) What Is Cinema? Vol. I., trans. H. Gray, Los Angeles: University of California Press.
Beardsley, M.C. (1966) Aesthetics from Classical Greece to the Present, Alabama: University of Alabama Press.
Bell, C. (1914) Art, London: Chatto & Windus.
Bell, D. (1976) ‘The Double Bind of Modernity’ in The Cultural Contradictions of Capitalism, New York: Basic Books.
Beloff, H. (1985) Camera Culture, Oxford: Blackwell.
Benjamin, W. (1929) Illuminations, ed. H. Arendt, Glasgow: Fontana/Collins, 1973.
——(1931) ‘A Short History of Photography’ in D. Mellor (ed.) (1978) The New Photography: Germany 1927-33, London: Arts Council of Great Britain.
——(1934) ‘Author as Producer’, in Understanding Brecht, London: Verso, 1983.

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