Index
a
| actuality 119 |
| Adams, A. 53 |
| Adobe Photoshop 152 |
| advertising 4 |
| aesthetics 28 , 36 - 40 , 111 , 112 |
| ‘After 200 Years’ project (Australia) 115 -17 |
| Agee, J. 113 -14, 136 -7 |
| aide memoire4 |
| Alberti, L.B. 15 |
| Alhazen (Ibn Al-Haitham) 16 |
| analog (chemical) photography 69 , 145 , 173 |
| Anderson, T. 23 , 151 |
| animation 82 |
| Annan, T. 136 |
| anthropometric photography 172 |
| Arago, D.F.J. 40 |
| Aristotle 112 , 169 |
| Arnheim, R. 58 , 70 , 72 , 85 , 103 |
| Art/AIDS project 167 -8, 171 |
| art photography 83 |
| Aslin, R.N. 29 |
| aspect ratio 100 , 132 |
| association theory 19 |
| Atget, J.E.A. 139 |
| Auden, W.H. 86 |
| audio-caption 153 |
| audio-visual work 171 |
| Austin, J.L. 72 -3 |
| Australia: ‘After 200 Years’ project 115 -17 |
| authenticity 118 |
| authority 118 -19 |
| auto-focus single lens reflex camera 61 |
| avante-garde practice 32 -3 |
| Avignon, F.d’ 160 |
b
| balance 36 |
| Baldinucci, F. 162 |
| Banks, M.S. 29 |
| Barnardo, Dr 137 |
| Barthes, R. 62 , 68 , 77 , 88 , 115 ; |
| camera lucida8 - 9 ; |
| evolution of the camera 26 , 27 ; |
| photo-sequence 108 -9; |
| press photography 92 ; |
| punctum110 ; |
| semiotics theory 70 ; |
| ‘third effect’ 28 |
| Battista della Porta, G. 25 |
| Baudelaire, C. 33 |
| Baumgarten, A.G. 36 |
| Bazin, A. 36 -7, 40 , 70 |
| Beard, R. 136 |
| Beardsley, M.C. 36 |
| before and after photography 137 |
| Bell, C. 28 |
| Bell, D. 33 |
| Beloff, H. 146 |
| Benjamin, W. 28 , 97 , 105 , 139 |
| Berger, J. 36 |
| Berkeley, G. 19 , 21 , 24 , 29 , 46 , 163 |
| Bibby, C. 26 |
| binocular disparity 29 , 34 |
| bit map 152 , 153 |
| bits per second (bps) 153 |
| Bloom, H. 33 |
| Boden, M.A. 158 |
| Bolas, M. 172 |
| Born, M. 164 |
-191-
Questia, a part of Gale, Cengage Learning. www.questia.com
Publication information:
Book title: The Photography Handbook.
Contributors: Terence Wright - Author.
Publisher: Routledge.
Place of publication: London.
Publication year: 1999.
Page number: 191.
This material is protected by copyright and, with the exception of fair use, may not be further copied, distributed or transmitted in any form or by any means.
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