Feminism and Contemporary Art: The Revolutionary Power of Women's Laughter

By Jo Anna Isaak | Go to book overview

BIBLIOGRAPHY
Alchuk, Anna (1991) “The Silent Sex,” in A Chicken is No Bird, Amsterdam: Picaron Editions.
Alloula, Malek (1986) The Colonial Harem, Minneapolis: University of Minnesota Press.
Apter, Emily (1992) “Female Trouble in the Colonial Harem,” Differences: A Journal of Feminist Cultural Studies 4, 1 (Spring): 205-224.
Aragon, Louis and Breton, André (1928) “Le cinquantenaire de l’hystérie,” La Révolution surréaliste no. 11:20-22.
Atkinson, Alexander Dallin and Lapidus, Gail Warshosky (eds) (1977) Women in Russia, Stanford: Stanford University Press.
Attie, David (1977) Russian Self-Portraits, New York: Harper and Row.
Bakhtin, Mikhail (1968) Rabelais and His World, trans. Helen Iswolsky, Cambridge, Mass.: MIT Press.
Barr, Alfred H. (1966) Matisse: His Art and His Public, New York: Arno Press.
Barthes, Roland (1964) Critical Essays, trans. Richard Howard (1972), Evanston, Ill.: Northwestern University Press.
—(1974) S/Z, trans. Richard Miller, New York: Hill and Wang.
—(1975) The Pleasure of the Text, trans. Richard Miller, New York: Hill and Wang.
—(1981) Camera Lucida, trans. Richard Howard, New York: Hill and Wang.
Bartky, Sandra Lee (1988) “Foucault, Femininity and the Modernization of Patriarchal Power,” in Irene Diamond and Lee Quinby (eds) Feminism and Foucault: Reflections on Resistance, Boston: Northeastern University Press.
Baudrillard, Jean (1983) In the Shadow of the Silent Majorities, or the End of the Social, and Other Essays, trans. Paul Foss, Paul Patton and John Johnston, New York: Semiotext(e) Foreign Agents Series.
Baudry, Jean-Louis (1986) “The Apparatus: Metapsychological Approaches to the Impression of Realism in the Cinema,” in Philip Rosen (ed.) Narrative, Apparatus, Ideology: A Film Theory Reader, New York: Columbia University Press.
Bendavid-Val, Leah (1991) Changing Reality: Recent Soviet Photography, Washington, DC: Starwood Publishing in association with the Corcoran Gallery of Art.
Benjamin, Walter (1968) “The Work of Art in the Age of Mechanical Reproduction,” in Hannah Arendt (ed.) Illuminations, New York: Harcourt, Brace and World.
—(1969) “The Storyteller: Reflections on the Work of Nikolai Leskov,” in Hannah Arendt (ed.) Illuminations, trans. Harry Zohn, New York: Schocken Books.

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Feminism and Contemporary Art: The Revolutionary Power of Women's Laughter
Table of contents

Table of contents

  • Title Page iii
  • Contents vii
  • List of Illustrations ix
  • Acknowledgements xiii
  • Introduction 1
  • 1 - The Revolutionary Power of Women’s Laughter 11
  • 2 - Art History and Its (dis)contents 47
  • 3 - Reflections of Resistance: Women Artists on the Other Side of the Mir 77
  • 4 - Mothers of Invention 139
  • 5 - Mapping the Imaginary 156
  • 6 - Encore 182
  • Notes 226
  • Bibliography 229
  • Index 236
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