As She Likes It: Shakespeare's Unruly Women

By Penny Gay | Go to book overview
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Adelman, Janet, ‘Male bonding in Shakespeare’s comedies’, in Peter Erickson and Coppelia Kahn (eds), Shakespeare’s ‘Rough Magic’: Renaissance essays in honor of C.L. Barber, Newark, University of Delaware Press, 1985.

b" id="
Barber, C.L., Shakespeare’s Festive Comedy, Princeton, Princeton University Press, 1959.
Barton, John, Playing Shakespeare, London, Methuen, 1984.
Beauman, Sally, The Royal Shakespeare Company: a history of ten decades, Oxford, Oxford University Press, 1982.
Belsey, Catherine, ‘Disrupting sexual difference: meaning and gender in the comedies’, in John Drakakis (ed.), Alternative Shakespeares, London, Methuen, 1985.
Berry, Ralph, Changing Styles in Shakespeare, London, Allen &; Unwin, 1981.
‘The reviewer as historian’, Shakespeare Quarterly, 36, 5, 1985, pp. 594-7.
On Directing Shakespeare, London, Hamish Hamilton, 1989.
Bevington, David, and Halio, Jay L. (eds), Shakespeare: pattern of excelling nature, London, Associated University Presses, 1978.
Billington, Michael, Peggy Ashcroft, London, Mandarin, 1988.
Directors’ Shakespeare: approaches to ‘Twelfth Night’, London, Nick Hern Books, 1990.
Bowe, John, ‘Orlando in As You Like It’, in Brockbank, Players of Shakespeare (q.v.).
Brockbank, Philip (ed.), Players of Shakespeare, Cambridge, Cambridge University Press, 1985.
Brook, Peter, The Empty Space, (1968) Harmondsworth, Penguin, 1990.
Brown, John Russell, ‘The interpretation of Shakespeare’s comedies: 1900-1953’, Shakespeare Survey 8, 1955, pp. 1-13.
(ed.), Much Ado About Nothing and As You Like It: a casebook, London, Macmillan, 1979.

c" id="
Carlson, Susan, Women and Comedy: rewriting the British theatrical tradition, Ann Arbor, University of Michigan Press, 1991.
Case, Sue-Ellen, Feminism and Theatre, London, Macmillan, 1988.


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