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Notes

INTRODUCTORY NOTE
1 See, for example, Penny Boumelha’s (1982) rereading of Hardy in the context of the fiction by women writers in the 1880s and 1890s.

PART I
1 See Pykett 1985.
2 See Showalter 1978a, Boumelha 1982 and Bjørhovde 1987.
3 This irruption of the feminine in the work of late nineteenth-century male writers is explored in Boumelha 1982, Stubbs 1979 and Showalter 1991.
4 See Hughes 1980 and Taylor 1988 for a discussion of the sensationalists, and Boumelha 1982, Stubbs 1979 and Cunningham 1978 for the writers of the 1890s.
5 For example in Barry 1894.
6 The concept of negotiation, which is borrowed from cultural studies (see Hall et al. 1980), is extremely useful for analysing the relations between cultural products, ideologies and audiences. ‘The value of this notion’, Christine Gledhill (1988) argues, ‘lies in its avoidance of an overly deterministic view of cultural production …for the term “negotiation” implies the holding together of opposite sides in an ongoing process of give-and-take… Meaning is neither imposed, nor passively imbibed, but arises out of a struggle or negotiation between competing frames of reference’ (67-8).
7 The Saturday Review’s polemic on woman gained even wider currency with the publication of Modern Women and What is Said of Them (1868), which reprinted thirty-seven essays from the Saturday, including ten by Linton and ten by J.R. Green.
8 For a full and interesting discussion of the development of the middle-class family in the early nineteenth century see Davidoff and Hall 1987.
9 See Davidoff and Hall 1987 and Smith-Rosenberg 1985.
10 The importance of conduct books in constructing Victorian notions of womanhood and controlling female behaviour is discussed

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Publication Information: Book Title: The "Improper" Feminine: The Women's Sensation Novel and the New Woman Writing. Contributors: Lyn Pykett - author. Publisher: Routledge. Place of Publication: London. Publication Year: 1992. Page Number: 210.
    
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