Stillness in Motion in the Seventeenth Century Theatre

By P. A. Skantze | Go to book overview

Bibliography
Achinstein, Sharon (1994) Milton and the Revolutionary Reader, Princeton: Princeton University Press.
Agnew, Jean-Christophe (1986) Worlds Apart: the Market and the Theatre in Anglo-American Thought 1550-1750, New York: Cambridge University Press.
Alciati, Andrea (1531 reprint) Emblemas, Madrid.
Altaba-Artal, Dolors (1995) “Aphra Behn’s The Feign’d Curtezans; or, A Night’s Intrigue from Calderon’s Casa con dos puertas mala es de guardar,” Restoration and 18th Century Theatre Research, 10 (1): 29-43.
Anderson, Benedict (1991) Imagined Communities, revised edition, London: Verso.
Arendt, Hannah (1958) The Human Condition, Chicago: University of Chicago Press.
Artuad, Antonin (1958) The Theater and Its Double, New York: Grove Press.
Bach, Rebecca Ann (1995) “‘Ty Good Shubshects’: The Jacobean Masque as Colonial Discourse”, Medieval and Renaissance Drama in England, 7: 206-23.
Backsheider, Paula (1993) Spectacular Politics: Theatrical Power and Mass Culture in Early Modern England, Baltimore: Johns Hopkins University Press.
Bacon, Jon Lance (1991) “Wives, Widows and Writings in Restoration Comedy,” Studies in English Literature, 1500-1900, 31 (3): 427-44.
Barber, C.L. (1968) “A Maske Presented at Ludlow Castle: The Masque as a Masque,” in John Diekhoff (ed.) A Maske at Ludlow, Cleveland: Case Western Reserve University, 188-206.
Barbour, Richmond (1992) “The Elizabethan Jonson in Print”, Criticism, Summer, 34: 317-26.
——(1998) “Jonson and the Motives of Print,” Criticism, Fall, 40 (4): 499-517.
Barilli, Renato (1989) Rhetoric, Minneapolis: University of Minnesota.
Barish, Jonas (1981) The Antitheatrical Prejudice, Berkeley: University of California Press.
Barroll, Leeds (1996) “Theatre as Text: the Case of Queen Anna and the Jacobean Court Masque,” in A.L. Magnusson and C.E. McGee (eds) The Elizabethan Theatre, XIV: 175-93.
Bassnett, Susan (1989) “Struggling With the Past: Women’s Theater in Search of a History”, New Theatre Quarterly 5 (18): 107-12.
——, Michael Booth, and John Stokes (1988) Bernhardt, Terry and Duse: the Actress in Her Time, New York: Cambridge University Press.
Bataille, Georges (1988) The Accursed Share: An Essay on General Economy, trans. Robert Hurley, New York: Zone Books.

-187-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Stillness in Motion in the Seventeenth Century Theatre
Table of contents

Table of contents

  • Title Page iii
  • Contents vii
  • Acknowledgments viii
  • Introduction 1
  • Prologue 21
  • 1 - Permanently Moving 30
  • 2 - Predominantly Still 59
  • 3 - Theatrically Pressed 82
  • 4 - Decidedly Moving 106
  • 5 - Perpetually Stilled 132
  • Epilogue 154
  • Notes 162
  • Bibliography 187
  • Index 202
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 214

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.