Contemporary African Literature and the Politics of Gender

By Florence Stratton | Go to book overview

INTRODUCTION

Exclusionary practices

This book is about the place of African women writers in African literature. Its primary aim is to provide a more comprehensive definition of the contemporary African literary tradition than is available in current criticism, a definition that includes, rather than excludes, women’s writing.

In characterizing African literature, critics have ignored gender as a social and analytic category. Such characterizations operate to exclude women’s literary expression as part of African literature. Hence what they define is the male literary tradition. When African literary discourse is considered from the perspective of gender, it becomes evident that dialogic interaction between men’s and women’s writing is one of the defining features of the contemporary African literary tradition. Such a redefinition has important implications for both critical and pedagogical practices. What it indicates is that neither men’s nor women’s writing can be fully appreciated in isolation from the other.

This study also has two secondary aims: to supplement current definitions of the male literary tradition and to define the features of the emerging female tradition in African fiction. I will begin, however, by examining some of the ways in which women writers have been written out of the African literary tradition.

African women writers and their works have been rendered invisible in literary criticism. General surveys have neglected them as have more theoretical works such as Abdul R. JanMohamed’s Manichean Aesthetics. The first book-length treatment of African fiction, Eustace Palmer’s An Introduction to the African Novel, refers only once to a woman writer—a reference to Flora Nwapa that labels her ‘an inferior novelist’ (61). Women authors are also notably absent from Palmer’s The Growth of the African Novel, as they are from other standard surveys such as David Cook’s African Literature: A Critical View and Gerald Moore’s Twelve African Writers. In his introduction,

-1-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Contemporary African Literature and the Politics of Gender
Table of contents

Table of contents

  • Title Page iii
  • Contents v
  • Acknowledgements vii
  • Introduction 1
  • Part I - Aspects of the Male Literary Tradition 21
  • 1 - How Could Things Fall Apart for Whom They Were Not Together? 22
  • 2 - The Mother Africa Trope 39
  • Part II - Room for Women 57
  • 3 - Men Fall Apart 58
  • 4 - Flora Nwapa and the Female Novel of Development 80
  • 5 - Their New Sister 108
  • 6 - Literature as A…weapon 133
  • Part III - Men Write Back 157
  • 7 - Gender on the Agenda 158
  • Conclusion 171
  • Notes 177
  • Bibliography 185
  • Index 195
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 200

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.