George Orwell: The Critical Heritage

By Jeffrey Meyers | Go to book overview
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Philip Rahv, Partisan Review

July 1949, pp. 743-9

Philip Rahv (1908-74), Russian-born American critic and editor of Partisan Review, was Professor of English at Brandeis University in Boston and author of Image and Idea (1957).

George Orwell has been able to maintain an exceptional position among the writers of our time seriously concerned with political problems. His work has grown in importance and relevance through the years, evincing a steadiness of purpose and uncommon qualities of character and integrity that set it quite apart from the typical products of the radical consciousness in this period of rout and retreat. A genuine humanist in his commitments, a friend, that is, not merely of mankind but of man (man as he is, not denatured by ideological abstractions), Orwell has gone through the school of the revolutionary movement without taking over its snappishly doctrinaire attitudes. His attachment to the primary traditions of the British empirical mind has apparently rendered him immune to dogmatism. Nor has the release from certitude lately experienced by the more alert radical intellectuals left him in the disoriented state in which many of his contemporaries now find themselves. Above all endowed with a strong sense of reality, he has neither played the prophet in or out of season nor indulged in that wilful and irresponsible theorizing at present so much in vogue in certain radical quarters where it is mistaken for independent thought. It can be said of Orwell that he is the best kind of witness, the most reliable and scrupulous. All the more appalling, then, is the vision not of the remote but of the very close future evoked in his new novel—a vision entirely composed of images of loss, disaster, and unspeakable degradation.

This is far and away the best of Orwell’s books. As a narrative it has tension and actuality to a terrifying degree; still it will not do to judge it primarily as a literary work of art. Like all Utopian literature, from


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George Orwell: The Critical Heritage
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