Algernon Swinburne: The Critical Heritage

By Clyde K. Hyder | Go to book overview

14(e).

John Ruskin

John Ruskin did not approve of all of Swinburne’s poems but consistently showed himself to be friendly and generously recognized his genius.

(i) From a letter to C. E. Norton, 28 January 1866 (Letters of John Ruskin to Charles Eliot Norton [1904, i, 157]): Have you read Swinburne’s Atalanta? The grandest thing ever yet done by a youth—though he is a Demoniac youth. Whether ever he will be clothed and in his right mind, heaven only knows. His foam at the mouth is fine, meantime.

(ii) Letter to Swinburne, 9 September 1866 (Lang, i, 182; this and the following letter are quoted by permission of the Yale University Press): I did not like to thank you for the Poems before I had read them, and their power is so great, and their influence so depressing, that I can read but very little at a time. I have been ill, besides, and unable to read anything.

It is of no use to tell you what you, like all good artists, know perfectly well of your work; and from my own manner of later work you know also very well that I can understand yours, and think of it as I ought, which is all that needs to be said between us, it seems to me, as to the art of the book.

For the matter of it—I consent to much—I regret much—I blame, or reject nothing. I should as soon think of finding fault with you as with a thundercloud or a nightshade blossom. All I can say of you, or them—is that God made you, and that you are very wonderful and beautiful. To me it may be dreadful or deadly—it may be in a deeper sense, or in certain relations, helpful and medicinal. There is assuredly something wrong with you—awful in proportion to the great power it affects, and renders (nationally) at present useless. So it was with Turner, so with Byron. It seems to be the peculiar judgment-curse of modern days that all their greatest men shall be plague-struck. But the truth and majesty which is in their greatest, causes the plague which is underneath, in the hearts of meaner people, smooth outwardly, to

-120-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Algernon Swinburne: The Critical Heritage
Table of contents

Table of contents

  • Title Page iii
  • General Editor's Preface vii
  • Contents ix
  • Preface xi
  • Introduction xiii
  • Notes xlv
  • Acknowledgments l
  • Note on the Text li
  • The Queen-Mother and Rosamond 1
  • 1 - Unsigned Notice, Spectator 1
  • 2 - Unsigned Notice, Athenaeum 2
  • Some Views of the Young Swinburne 3
  • Atalanta in Calydon 9
  • 4 - Unsigned Review, Saturday Review 9
  • Chastelard 17
  • 5 - Unsigned Review, Athenaeum 17
  • Poems and Ballads 22
  • 6 - John Morley, Saturday Review 22
  • 7 - Robert Buchanan, Athenaeum 30
  • 8 - Unsigned Review, London Review 35
  • 9 - Buchanan: 'The Session of the Poets', Spectator 39
  • 10 - Henry Morley, Examiner 42
  • 11 - Swinburne Defends His Poems 49
  • 12 - W. M. Rossetti, Swinburne's Poems and Ballads 57
  • 13 - Alfred Austin: 'Mr. Swinburne' 92
  • Obiter Dicta by Contemporary Men of Letters 112
  • 14(a) - Alfred Tennyson 112
  • 14(b) - Robert Browning 114
  • 14(c) - Matthew Arnold 116
  • 14(d) - Thomas Carlyle and Ralph Waldo Emerson 118
  • 14(e) - John Ruskin 120
  • 14(f) - William Morris 123
  • 14(g) - George Meredith 124
  • 14(h) - Edward Lytton Bulwer-Lytton 125
  • Songs Before Sunrise 127
  • 15 - Unsigned Review, Saturday Review 127
  • 16 - Unsigned Review, Edinburgh Review 133
  • 17 - Franz Hüffer, Academy 139
  • 18 - Swinburne on Robert Buchanan's Self-Revelations 146
  • 19 - A. C. Hilton: 'Octopus' 156
  • 20 - E. C. Stedman on Swinburne 158
  • Erechtheus 163
  • 21 - John Addington Symonds, Review, Academy 163
  • 22 - W. K. Clifford on Songs Before Sunrise 170
  • Poems and Ballads: Second Series 177
  • 23 - Theodore Watts, Athenaeum 177
  • 24 - Maupassant on Swinburne 185
  • 25 - F. W. H. Myers on Swinburne's Weltanschauung 188
  • 26 - George Saintsbury: 'Mr. Swinburne' 198
  • 27 - William Morton Payne: 'Algernon Charles Swinburne' 207
  • 28 - An Imaginary Correspondence 213
  • 29 - Swinburne: a Backward Glance 215
  • 30 - Oliver Elton: 'Mr. Swinburne's Poems' 218
  • 31 - Max Beerbohm: 'No. 2 the Pines' 233
  • Index 251
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 256

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.