Topics in American Art since 1945

By Lawrence Alloway | Go to book overview
LIST OF ILLUSTRATIONS
1.
Arshile Gorky: Study for Dark Green Painting (1946). 21
2.
Mark Rothko: Slow Swirl at the Edge of the Sea (1946). 21
3.
Theodoros Stamos: Archaic Sentinel (1947). 21
4.
Jackson Pollock: Banners of Spring (1946). 23
5.
Willem de Kooning: Pink Angels (1947). 23
6.
William Baziotes: Dwarf (1947). 23
7.
Adolph Gottlieb: Eyes of Oedipus (1941). 28
8.
Adolph Gottlieb: Return of the Mariner (1946). 28
9.
Clyfford Still: Untitled (1946). 35
10.
Clyfford Still: Painting (1951-52). 35
11.
Barnett Newman: Day Before One (1951). 40
12.
Mark Rothko: No. 9 (1958). 40
13.
Barnett Newman: First Station of the Cross (1958). 47
14.
Barnett Newman: Second Station of the Cross (1958). 47
15.
Barnett Newman: Third Station of the Cross (1960). 49
16.
Jackson Pollock's studio (1961). 56
17.
Jackson Pollock: Studies with a Bull, Horse and Screaming Heads (1939-40). 60
18.
Leon Polk Smith: Black-Gray (1955). 73
19.
Leon Polk Smith: Correspondence, Red-Black (1962). 73
20.
Frank Stella: "Die Fahne hoch" (1959). 86
21.
Frank Stella: Wolfeboro, II (1966). 86
22.
Kenneth Noland: Brown Stretch (1966). 86
23.
Paul Feeley, Minoa (1962). 88
24.
Sol LeWitt: Sculpture Series "A" (1967). 94
25.
Sol LeWitt: Wall Drawing (1969). 98
26.
Agnes Martin: Drift of Summer (1965). 107
27.
Agnes Martin: The Cliff, detail (1966). 107
28.
Norman Bluhm: Mojabe (1966). 113
29.
Robert Rauschenberg: Breakthrough I (1964). 131
30.
Robert Rauschenberg: Horn (1969). 133

-9-

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Topics in American Art since 1945
Table of contents

Table of contents

  • Topics in American Art Since 1945 *
  • Contents 7
  • List of Illustrations 9
  • Introduction 11
  • Acknowledgments 13
  • Abstract Expressionism 15
  • The Biomorphic '40s 17
  • Melpomene and Graffiti - Adolph Gottlieb's Early Work 25
  • The American Sublime 31
  • Barnett Newman - The Stations of the Cross and the Subjects of the Artist 42
  • Jackson Pollock's Black Paintings 52
  • Jackson Pollock's "Psychoanalytic Drawings" 58
  • Willem De Kooning 62
  • The Sixties, I - Hard Edge and Systems 65
  • Leon Polk Smith 67
  • Systemic Painting 76
  • Serial Forms 92
  • Sol Lewitt 96
  • Agnes Martin - (with an Appendix) 100
  • Gesture into Form - The Later Paintings of Norman Bluhm 111
  • The Sixties, II - Pop Art 117
  • Pop Art - The Words 119
  • Jim Dine 123
  • Rauschenberg's Graphics 125
  • Jasper Johns' Map 136
  • Marilyn as Subject Matter 140
  • Roy Lichtenstein's Period Style 145
  • The Reuben Gallery - A Chronology 151
  • In Place 155
  • The Sixties, III - Problems of Representation 161
  • Hi-Way Culture - (with Notes on Alan D'Arcangelo) 163
  • Art as Likeness - (with a Note on Post-Pop Art) 171
  • George Segal 182
  • Photo-Realism 185
  • Art and Interface 193
  • Allan Kaprow, Two Views 195
  • Artists and Photographs 201
  • The Expanding and Disappearing Work of Art 207
  • Stolen - (with Arakawa: an Interview) 213
  • Radio City Music Hall 218
  • Robert Smithson's Development 221
  • Art Criticism and Society 237
  • Notes on Op Art 239
  • The Public Sculpture Problem 245
  • The Uses and Limits of Art Criticism 251
  • Index 271
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