Beyond Aesthetics: Art and the Technologies of Enchantment

Table of contents

• Beyond Aesthetics *
• Title Page *
• Contents v
• Preface vii
• Introduction 1
• References *
• 1 - Romanticism, from Foi Site Poetry to Schubert's Winterreise 13
• Notes *
• References *
• 2 - Agency, History and Tradition in the Construction of 'Classical' Music: the Debate Over 'Authentic Performance' 31
• Notes 50
• References *
• 3 - Why Knot? Towards a Theory of Art and Mathematics 57
• Notes 75
• References *
• 4 - Captivation, Representation, and the Limits of Cognition: Interpreting Metaphor and Metonymy in Tahitian Tamau 79
• Notes *
• References *
• 5 - What Makes Singo Different: North Vanuatu Textiles and the Theory of Captivation 97
• Notes *
• References *
• 6 - The Captivating Agency of Art: Many Ways of Seeing 117
• Notes *
• References 135
• 7 - The Fame of Trinis: Websites as Traps 137
• Notes *
• References *
• 8 - Piercing the Skin of the Idol 157
• Notes *
• References *
• 9 - The Politics and Personhood of Tibetan Buddhist Icons 181
• Notes *
• References *
• 10 - Aboriginal Cultural Production into Art: the Complexity of Redress 201
• Notes *
• References *
• 11 - When the (oven) Gloves Are Off: the Queen's Baton - Doing What to Whom? 235
• References *
• 12 - The Patent and the Malanggan 259
• Notes 276
• References *
• Index 287

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