Theatre and Humanism: English Drama in the Sixteenth Century

By Kent Cartwright | Go to book overview

Acknowledgments

In the six and a half years that I spent writing this book I tugged on many sleeves. Demands for brevity do not permit me to identify in detailthe substantialand varied contributions of the owners of those sleeves, but I list their names now with a deep sense of gratitude: Catherine Belsey, Thomas Berger, David M. Bevington, Theresa Coletti, Robert Coogan, Jane Donawerth, Donna B. Hamilton, William M. Hamlin, Grace Ioppolo, Erin Kelly, Bernice Kliman, Robert S. Knapp, Theodore B. Leinwand, Maynard Mack Jr., Laurie Maguire, Nancy Klein Maguire, Robert Miola, Alan H. Nelson, Elihu Pearlman, Joseph A. Porter, Lois Potter, Martha Tuck Rozett, William H. Sherman, Virginia Mason Vaughan, Paul Whitfield White, Gary Williams, and Georgianna Ziegler. In spring 1996 I was privileged to participate in a semester-long Folger Institute seminar led by J. W. Binns on “Books, Learning, and the Academy in the English Renaissance. I am obliged to Professor Binns's seminar for greatly increasing my understanding of sixteenth-century neo-Latin literature in England. I owe subsequent debts to the two anonymous readers, for their perceptive comments, and to Sarah Stanton of Cambridge University Press, for her efficient editorship. Immeasurable thanks are also due to the Folger Shakespeare Library for providing the venue for most of the research and writing of the manuscript. The drafting of several chapters was facilitated by a semester research fellowship from the Graduate Research Board of the University of Maryland.

I also express my gratitude for opportunities to present parts of this project at meetings of the Modern Language Association, South Atlantic Modern Language Association, Central Renaissance Conference, Southeastern Renaissance Conference, Shakespeare Society of America, and InternationalShakespeare Conference. An early version of chapter 1 was published in Studies in the

-ix-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Theatre and Humanism: English Drama in the Sixteenth Century
Settings

Settings

Typeface
Text size Smaller Larger
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 321

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.