Writings on Music, 1965-2000

By Steve Reich; Paul Hillier | Go to book overview

BIBLIOGRAPHY

Alburger, Mark. A Conversation with Steve Reich in 20th Century Music, 4, no. 12 (December 1997), pp. 1–18.

Arom, Simha. African Polyphony and Polyrhythm: Musical Structure and Methodology. New York: Cambridge University Press, 1991.

Baker, Kenneth. Minimalism: Art of Circumstance. New York: Abbeville Press, 1988.

Bartók, Bela. Essays. Selected and ed. Benjamin Suchoff. New York: St. Martin's, 1976. Lincoln, NE: University of Nebraska Press, paperback edition, 1993.

Battcock, Gregory, ed. Minimal Art: A Critical Anthology. New York: Dutton, 1968.

Berger, Maurice. Labyrinths: Robert Morris, Minimalism, and the 1960s. New York: Harper & Row, 1989.

Bernard, Jonathan W. The Minimalist Aesthetic in the Plastic Arts and Music. In Perspectives of New Music, 31, no. 1 (Winter 1993), pp. 86–132.

Bernard, Jonathan W. Theory, Analysis, and the “Problem” of Minimal Music. In Concert Music, Rock, and Jazz since 1945: Essays and Analytical Studies, ed. Elizabeth W. Marvin and Richard Hermann. Rochester, NY: University of Rochester Press, 1995, pp. 259–84.

Cage, John. Silence. Middletown, CT: Wesleyan University Press, 1961.

Cohn, Richard. Transpositional Combination of Beat-Class Sets in Steve Reich's PhaseShifting Music in Perspectives of New Music, 30 (Summer 1992), pp. 146–77.

Coyote, Peter. Sleeping Where I Fall. Washington, DC: Counterpoint, 1998.

Crawford, Richard, R. Allen Lott, and Carol J. Oja, eds. A Celebration of American Music. Ann Arbor: University of Michigan Press, 1990 (essay James Tenney by Peter Garland pp. 477–486).

Cumming, Naomi. The Horrors of Identification: Reich's Different Trains. In Perspectives of New Music, 35 (Winter 1997), pp. 129–152.

Davis, R. G. [Ronnie]. The San Francisco Mime Troupe: The First Ten Years. Palo Alto, CA: Ramparts Press, 1975.

DeLio, Thomas, ed. Contiguous Lines: Issues and Ideas in the Music of the '60s and '70s. Lanham, MD: University Press of America, 1985.

Dennis, Brian. Repetitive and Systemic Music. In The Musical Times, 115 (1974), pp. 1036–38.

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