Volker Schlondorff's Cinema: Adaptation, Politics, and the "Movie-Appropriate"

By Hans-Bernhard Moeller; George Lellis | Go to book overview

Works Cited and Consulted

Researchers may wish to consult, at the Deutsches Filmmuseum Frankfurt/M., the “Sammlung Volker Schlöndorff, a collection of materials from both the filmmaker's private archives and Bioskop Film. A “Findbuch” inventory has been established, and the museum is entertaining plans to post it to the museum's website, www.deutsches-filmmuseum.de.

Améry, Jean. “Gespräch über Leben und Endes des Herbert Törless. Leporello fällt aus der Rolle. Ed. Peter Härtling. Frankfurt: S. Fischer, 1971. 185–97.

Améry, Jean. “Michel Tourniers Ästhetizismus der Barbarei. Merkur 27 (Jan. 1973): 73–79.

Amiel, Mireille. La soudaine richesse des pauvres gens de Kombach.Cinéma Jan. 1972: 136–37.

Andrew, Dudley. Concepts in Film Theory. New York: Oxford UP, 1984.

Appel, Paul H., Bavaria Atelier GmbH, Munich. Letter to the authors. May 24, 1984.

Aust, Stefan. The Baader-Meinhof Group: The Insider Story of a Phenomenon. Trans. Anthea Bell. London: The Bodley Head, 1985.

Baer, Harry. Das atemlose Leben des R. W. Fassbinder. Cologne: Kiepenheuer and Witsch, 1982.

Barnett, Marianne. “Atwood's Seduction: The Handmaid's Tale.Rocky Mountain Modern Language Association Convention. University of Utah, Salt Lake City. Oct. 12, 1990. We are indebted to the author for a copy of the manuscript.

Baroncelli, Jean de. “Le jour Oskar cessa de grandir. Le monde Sept. 22, 1979: 1+.

Baroncelli, Jean de. “Sous les yeux d'un enfant. Le monde May 20, 1979: 1+.

Barthes, Roland. Image-Music-Text. New York: Hill and Wang, 1977.

Bastian, Günther. Homo Faber.Film-Dienst 44. Jahrgang. Mar. 5, 1991: 33.

Bazin, André. What Is Cinema? Trans. Hugh Gray. 2 vols. Berkeley: U of California P, 1967.

Belach, Helga, Gero Gandert, and Hans Helmut Prinzler, eds. Aufruhr der Gefühle: Die Kinowelt des Curtis Bernhardt. Munich: Bucher, 1982.

Bellour, Raymond. “Alienation, Segmentation, Hypnosis. Interview with Janet Bergstrom. Camera Obscura 3–4 (1979): 71–103.

Bergala, Alain. “Rivette, Baptiste et Marie. Cahiers du cinéma Mar. 1982: 5–7.

Bergala, Alain. “Le vrai, le faux, le factice. Cahiers du cinéma 351 (1983): 4–9.

Berghahn, Daniela. “Fiction into Film and the Fidelity Discourse: A Case Study of Volker Schlöndorff's Re-interpretation of Homo Faber.German Life and Letters 49 (1996): 72–87.

Berghahn, Wilfried. Robert Musil in Selbstzeugnissen und Bilddokumenten. Series: rowohlts monographien. Reinbek: Rowohlt, 1963. 28–29.

Bernhard, Thomas. Frost. Frankfurt: Insel, 1963.

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