The French Revolution and the London Stage, 1789-1805

By George Taylor | Go to book overview

Bibliography

Abrams, M. H. The Mirror and the Lamp: Romantic Theory and the Critical Tradition (New York, 1953).

Abrams, M. H. Natural Supernaturalism: Tradition and Revolution in Romantic Literature (New York, 1971).

Ackroyd, Peter, Blake (London, 1995).

Adolphus, J., Memoirs of John Bannister, Comedian (London, 1839).

Altick, R. D., The Shows of London (Cambridge, Mass., 1978).

Arundell, Denis, The Story of Sadler's Wells (London, 1964).

Ashton, Rosemary, The German Idea; Four English Writers and the Reception of German Thought, 1800–1860 (Cambridge, 1980).

Aspinall, A., ed., The Correspondence of George, Prince of Wales (London, 1963).

Backscheider, Paula R., Spectacular Politics: Theatrical Power and Mass Culture in Early Modern England (Baltimore, 1993).

Baer, Marc, Th´eâtre and Disorder in Late Georgian London (Oxford, 1992).

Bagster-Collins, J. F., George Colman the Younger (New York, 1946).

Baine, Rodney M., Thomas Holcroft and the Revolutionary Novel (Athens, Ga., 1965).

Barbier, Patrick, The World of the Castrati (London, 1996).

Barish, Jonas, The Antitheatrical Prejudice (Berkeley, 1981).

Barker, Clive, A Th´eâtre for the People' in Thomson and Richards, Nineteenth-Century British Th´eâtre (Cambridge, 1971).

Baron-Wilson, Margaret Cornwall, The Life and Correspondence ofM. G. Lewis (London, 1839).

Bate, Jonathan, Shakespearean Constitutions: Politics, Th´eâtre, Criticism 1730–1830 (Oxford, 1989).

Baugh, Christopher, Garrick and Loutherbourg (London, 1990).

Behrendt, S. C, ed., History and Myth; Essays on English Romantic Literature (Detroit, 1990).

Bell, Charles, The Anatomy and Philosophy of Expression (London, 1806).

Bennett, Geoffrey, Nelson the Commander (London, 1972).

Bindman, David, The Shadow of the Guillotine; Britain and the French Revolution (London, 1989).

Bingham, A. J., Marie-Joseph Chenier: Early Political Life and Ideas (New York, 1939).

-249-

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The French Revolution and the London Stage, 1789-1805
Table of contents

Table of contents

  • Title Page *
  • Contents vii
  • Acknowledgements viii
  • Note on the Text x
  • Introduction 1
  • Chapter 1 - England and France in 1789 15
  • Chapter 2 - The Revolution 42
  • Chapter 3 - From the Federation to the Terror 68
  • Chapter 4 - Dramatising (the) Terror 97
  • Chapter 5 - Performance and Performing 127
  • Chapter 6 - The Shadow of Napoleon 156
  • Chapter 7 - Theatre and Alienation 188
  • Reflections Towards a Conclusion 220
  • Notes 226
  • Bibliography 249
  • Index 257
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