Recording Conceptual Art: Early Interviews with Barry, Huebler, Kaltenbach, Lewitt, Morris, Oppenheim, Siegelaub, Smithson, and Weiner

By Alexander Alberro; Patricia Norvell | Go to book overview

9
DOUGLAS HUEBLER
JULY 25, 1969

DOUGLAS HUEBLER: Just in terms of where I started from—I started rather conventionally, as a drawer, painter, and so forth. The reason I go into that is because the painting, at a certain point, like six or seven or eight years ago, moved toward what became known as hard-edge or reductive painting. And when I reached that point with my own painting, I think it was about seven years ago, I painted the stripes around the edge of the canvas, about three or four colored stripes, just to restate the edge, which is something that, you know, you've seen since that time. At that point, rather than make a style or an issue out of that aspect of reductiveness, it occurred to me that the painting had become in itself an object. And, again, a lot of this is quite familiar in the sense of recent art—I mean, quite familiar. I'm not saying that I invented or discovered these things, but they were discoveries to me at that time. And I'm just sort of recapitulating. The next sense that that object seemed to make for me was to jump right off the wall. In other words, objects that are reduced to that level become as valid three-dimensionally as they are two-dimensionally. And so I became involved with the whole form that got to be very reductive sculpture, and I made forms that were called, had been called, are called Minimal or Primary Structures, and so forth and so forth, that whole genre.

-135-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Recording Conceptual Art: Early Interviews with Barry, Huebler, Kaltenbach, Lewitt, Morris, Oppenheim, Siegelaub, Smithson, and Weiner
Table of contents

Table of contents

  • Title Page *
  • Contents *
  • Illustrations vii
  • Acknowledgments xi
  • Preface xiii
  • Introduction - At the Threshold of Art as Information 1
  • Notes *
  • Introduction to Eleven Interviews 17
  • Note on the Interviews 19
  • 1 - March 29, 1969 21
  • Note *
  • 2 - April 17, 1969 31
  • Notes *
  • 3 - May 16, 1969 56
  • Notes *
  • 4 - May 24, 1969 70
  • Note *
  • 5 - May 30, 1969 86
  • Notes *
  • 6 - June 3, 1969 101
  • Notes *
  • 7 - June 12, 1969 112
  • Note *
  • 8 - June 20, 1969 124
  • 9 - July 25, 1969 135
  • Notes *
  • Index 155
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 162

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.