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Anecdotes of Painting in England: With Some Account of the Principal Artists - Vol. 2

By: Horace Walpole | Book details

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of the hall at Marlborough-house. He worked, too for Villiers, 1 Duke of Buckingham, at York-house. 2 A ceiling from thence was since at the house of Sheffield, Duke of Buckingham, in St. James's-park. It represented the nine muses, in a large circle. He painted too the family of Villiers, and a large picture for him, eight feet wide by five high, of a Magdalen lying in a grotto, contemplating a skull. At Hampton-court is his Joseph and Potiphar's wife; 3 he drew other things for the king, and presented him with a book of drawings. Of Lot and his daughters there is a print after him, in which he is called, by mistake, Civis Romanus, engraved by Lucas Vosterman. He made several attempts at portrait-painting, but with little success ; and after residing here about twelve years, died at the age of eighty-four, and was buried under the altar in the chapel of Somerset-house. His daughter,


ARTEMISIA GENTILESCHI,

(1590—1642,)

was also in England, was reckoned not inferior to her father in history, and excelled him in portraits : her own is in the gallery at Althorp. 4 King Charles had several of her works. Her best was David with the head of Goliath. She drew some of the royal family and many of the nobility ; but the chief part of her life was at Naples, where she lived splendidly, and was as famous, says Graham, 5 for her amours 6 as for her painting. 7

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1
In that duke's collection are mentioned two pictures by him of a Magdalen and the Holy Family. See the catalogue published by Bathoe.
2
A large ceiling at Cobham-house, Kent.—D.
3
Joseph holding a tablet, as a companion to the other.—D.
4
Likewise in the collection of King James II.—D.
5
English School, at the end of the translation of De Piles.
6
R. Symondes, speaking of Nic. Laniere, says, "Inamorato d'Artemisia Gentileschi, che pingeva bene."
7
There are six of her letters from Naples, between the years 1635 and 1637, to Signor del Pozzo, Lettere sulla Pittura, tom. i. 256. In one dated 1637, she inquires after her husband with an indifference which does not indicate much connubial harmony, " sia servita darmi nuova della vita o morte di mio marito." She followed her father into England ; but passed the greater part of her life at Naples, where she was married to one Pier Antonio Schiettesi. She received instructions from Guido Reni, and studied the style of Domenichino. (Lanzi, tom. i. p. 256.) There was a female figure of Fame, of great excellence by her, in the collection of Charles I.—D. —[Her own portrait, by herself, at Hampton-court.—W.]

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