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Anecdotes of Painting in England: With Some Account of the Principal Artists - Vol. 2

By: Horace Walpole | Book details

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Page 149
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in crayons, 1 which Mrs. Pope said was not very like, and which, descending to Lord Burlington, was given by his lordship to Kent. It was painted by one Jackson, a relation of Cooper, of whom I know nothing more, and who, I suppose, drew another head of Cooper, in crayons, in Queen Caroline's closet, 2 said to be painted by himself ; but I find no account of his essays in that way. He did once attempt oil, as Murray the painter told Vertue, and added, that Hayls thereupon applied to miniature, which he threatened to continue, unless Cooper desisted from oil, which he did; but such menaces do not frighten much, unless seconded by want of success. Among Orinda's poems is one to Cooper, on drawing her friend Lucasia's picture, in 1660.


RICHARD GIBSON,

(1616—1690,)

the dwarf, being page to a lady at Mortlake, was placed by her with Francesco Cleyne, to learn to draw, in which he succeeded, perfecting himself by copying the works of Sir Peter Lely, 3 who drew Gibson's picture leaning on a

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1
Cooper made a proficiency in crayons, and as it would appear, practised them for likenesses, from which he finished his miniatures. Norgate, in the MS. before quoted, says, "But those crayons made by the gentill Mr. Cooper, with black and white chalk upon a coloured paper, are for lightness, neatness and roundness, "abbastanza da fare meravigliare ogni acutissimo ingegno."—D.
2
[Subsequently at Strawberry-hill, and engraved for this work.—W.]
3
A comparison between Jeffrey Hudson, of whom an account has been given, vol. i. p. 216, and Richard Gibson, may be allowable.

The stature of Jeffrey was one inch only below that of Gibson, and his wife likewise ; but his figure was just and symmetrical; and he possessed and exercised the accomplishments of a complete gentleman. He was the prototype of the Polish

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