Anecdotes of Painting in England: With Some Account of the Principal Artists - Vol. 2

By Horace Walpole | Go to book overview

COLIN CAMPBELL,

a countryman of Gibbs, had fewer faults, but not more imagination. He published three large folios under the title of Vitruvius Britannicus, 1 containing many of his own designs, with plans of other architects ; but he did not foresee with how much more justice that title would be worn by succeeding volumes to be added to his works. One has already been given. The best of Campbell's designs are Wanstead, the Rolls, and Mereworth in Kent; 2 the latter avowedly copied from Palladio. 3 Campbell was surveyor of the works at Greenwich hospital, and died in 1734.


JOHN JAMES,

of whom I find no mention in Vertue's notes, was, as I am informed, considerably employed in the works at Greenwich, where he settled. He built the church there [1718], and the house for Sir Gregory Page at Blackheath, the idea of which was taken from Houghton. 4 James likewise built

____________________
1
Lord Burlington was the original projector and patron of this work, of which the first volume appeared in 1713, the second in 1717, and the third in 1725, imp. folio, when Campbell's superintendence ceased. The publication was resumed by two scientific architects, Woolfe and Gandon, with volume fourth in 1767, and a fifth in 1771. A new Vitruvius Britannicus appeared in 1782, by G. Richardson.— D.
2
The house at Mereworth, built for Mildmay, Earl of Westmoreland, is an imitation of Palladio's Villa Capra, near Vincenza, but with imperfect success in its variations from the archetype. The four porticos which constitute its decoration are ill adapted to our climate; and the filling them up with apartments is, in this instance, almost a solecism in architecture.—D.
3
The foreign architects who have visited this country have given a preference to Wanstead-house above any other of the mansions of our nobility. It was built in 1715, taken down and its materials dispersed by auction in 1822! As this opinion is confirmed by Gilpin, and as its total disappearance may render his description of it more interesting to the lovers of architecture, it is subjoined at length. " Of all great houses, perhaps, it best answers the united purposes of grandeur and convenience. The plan is simple and magnificent. The front extends 260 feet. A hall and a saloon occupy the body of the house, forming the centre of each front. From these run a double row of chambers. Nothing can exceed their convenience. They communicate in one grand suite, and yet each by the addition of a back stair becomes a separate apartment. It is difficult to say, whether we are better pleased with the grandeur and elegance without, or with the simplicity and contrivance within. Dimensions: Great hall, 51 by 36 feet. Ball-room, 75 by 27. Saloon, 30 feet square." There have been yet other critics, who have discovered in this mansion neither novelty of invention nor purity of taste; such are the discrepancies in the opinions of amateurs and professional architects. See Walpole's Letters, vol i. p. 423. - D.
4
It had a very deep projecting portico without a pediment. Previously he had built Canons for the Duke of Chandos, where he had set taste and expense equally at defiance.—D.

-312-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Anecdotes of Painting in England: With Some Account of the Principal Artists - Vol. 2
Table of contents

Table of contents

  • Anecdotes of Painting in England; *
  • Contents to Vol. II *
  • List of Illustrations—vol. Ii. v
  • William Dobson, (1610—1646,) *
  • Gerard Honthorst, - (1592—1660,) 5
  • Artemisia Gentileschi, - (1590—1642,) 11
  • Nicholas Laniere, - (1568—1649,) 12
  • — Weesop 15
  • John De Critz 15
  • Francis Barlow, - (1626- 1702,) 20
  • Sir James Palmer, 23
  • Samuel Butler, 24
  • John Hoskins. - (— 1664.) 29
  • Alexander Cooper 30
  • Anne Carlisle, 31
  • John Petitot, - (1607—1691,) 31
  • Andrew Kearne, 40
  • John Schurman, 40
  • Edward Pierce, 40
  • Enoch Wyat 45
  • Zachary Taylor 46
  • John Osborn 46
  • Martin Johnson 46
  • —green, 47
  • Christian Van Vianen. 47
  • Francis Fanelli, 48
  • Theodore Rogiers 50
  • Thomas Rawlins. 50
  • John Varin, or Warin, - (1604—1672,) 51
  • Inigo Jones, - (1572—1652,) 52
  • Chapter XI - Artists During the Interregnum. 71
  • General Lambert, 71
  • Robert Walker, 71
  • Edward Mascall 73
  • — Heywood. 73
  • Peter Blondeau and Thomas Violet 74
  • Francis Carter 74
  • Chapter Xii. - Painters and Other Artists in the Reign of Charles Ii. 76
  • Isaac Fuller. - (— 1672.) 78
  • Cornelius Boll, 82
  • John Freeman, 82
  • RemÈe, or Remigius Van Lemput, 82
  • Henry Anderton 87
  • Samuel Van Hoogstraten, - (1627—1678,) 88
  • Balthazar Van Lemens, - (1637—1704,) 89
  • Mr. William Lightfoot, 91
  • Sir Peter Lely, - (1618—1680,) 91
  • Joseph Buckshorn, 102
  • John Greenhill, - (1649—1676,) 102
  • ——— Davenport, 103
  • Prosper Henry Lankrink, - (1628- 1692,) 103
  • John Vander Eyden, 105
  • Mrs. Anne Killigrew, - (1660—1685,) 106
  • ———bustler, [or Bosseler,] 107
  • Daniel Boon, 108
  • Isaac Paling, 108
  • Henry Paert, or Peart, 108
  • Henry Dankers, 108
  • Parrey Walton, 109
  • Thomas Flatman, - (1663—1688,) 110
  • Le Fevre De Venise, 112
  • Henry Gascar, 114
  • Simon Varelst, 114
  • Antonio Verrio, - (1639—1707,) 117
  • James Huysman, or Housman, - (1656—1696,) 121
  • Michael Wright 123
  • Edmund Ashfield, 125
  • Peter Roestraten, - (1627—1698,) 125
  • Gerard Soest, Called Zoust, - (1637—1681,) 126
  • [william] Reader, 128
  • John Loten, 128
  • Thomas Manby, 129
  • Nicholas Byer, 129
  • Adam Coloni, (1634—1681,) 129
  • John Griffiere, [the Old, 1645—1718,] 129
  • Thomas Stevenson, 133
  • Philip Duval, 133
  • Edward Hawker 133
  • Sir John Gawdie, - (1639—1708,) 134
  • B. Flesshier, 134
  • Benedetto Genaro, - (1633—1715,) 134
  • Gaspar Netscher, - (1639—1684,) 135
  • Jacob Pen, 136
  • Sunman, 136
  • William Shephard, 136
  • — Steiner, 136
  • Peter Stoop, - (1619—1686,) 136
  • ——— Waggoner, 138
  • Alexander Souville, 138
  • William Vandevelde, - (1610—1693,) 138
  • William Vandevelde the Younger. - (1633—1707.) 139
  • John Vosterman, 141
  • William Wissing, - (1656—1687,) 142
  • Adrian Henny, or Hennin, 143
  • Herbert Tuer 143
  • Tempesta and Tomaso, 144
  • Samuel Cooper, - (1609—1672,) 145
  • Richard Gibson, - (1616—1690,) 149
  • William Gibson, 151
  • Edward Gibson, 151
  • John Dixon, 151
  • Alexander Marshall, 152
  • William Hassel, 152
  • Matthew Snelling, 153
  • Mary Beale, - (1632—1697,) 153
  • Charles Beale, 160
  • Elizabeth Neal 161
  • Chapter XIII - Statuaries, Carvers, Architects, and Medallists, in the Reign of Charles Ii. 164
  • Thomas Burman 164
  • Bowden, Latham, and Bonne, 164
  • William Emmett 164
  • Francis Du Sart, 167
  • Grinling Gibbons, - (1648-1721,) 167
  • Lewis Payne 173
  • Architecture, 173
  • John Webb, 174
  • Captain William Winde, 174
  • — Marsh, 175
  • Monsieur Pouget, 175
  • Sir Christopher Wren, - (1632—1723,) 175
  • The Rotiers, 184
  • — Du Four. 187
  • George Bower, 188
  • Chapter Xiv. - Artists in the Reign of James Ii. 190
  • William G. Ferguson, 190
  • Jacques Rousseau, 190
  • Charles De La Fosse, - (1640—1716,) 191
  • N. Heude 192
  • William De Keisar, 192
  • [nicholas] Largilliere, - (1656-1746,) 193
  • John Sybrecht, - (1630—1703,) 194
  • Henry Tilson 195
  • — Fancati, 195
  • Thomas Beniere, 195
  • — Quellin, 196
  • Thomas East 196
  • Chapter XV - Painters in the Reign of King William. 201
  • Sir Godfrey Kneller, - (1648—1723,) 202
  • John James Bakker 214
  • Jacob Vander Roer, 214
  • John Pieters 215
  • John Baptist Monoyer, - (1635—1699,) 215
  • Henry Vergazon, 217
  • Philip Boul, 217
  • Edward Bubois 217
  • Simon Dubois, - (— 1708,) 217
  • Henry Cooke, - (1642—1700,) 218
  • Peter Berchett, - (1659-1720,) 220
  • Louis Cheron, - (1660—1713,) 220
  • John Riley, - (1646—1691,) 221
  • John Closterman, - (1656—1713,) 222
  • William Deryke, 223
  • Dirk Maas, or Theodore Maas, 223
  • Peter Vander Meulen, 224
  • Paul Mignart, 224
  • Frederic Kerseboom - (1632—1690,) 225
  • Sevonyans, [antony Schoonjans,] - (1655—1726) 226
  • Sir John [baptist] Medina - (1659—1711) 226
  • Marcellus Laroon - (1653—1702) 228
  • Thomas Pembroke 229
  • Francis Le Piper, - (—1740,) 229
  • Thomas Sadler 231
  • Godfrey Schalken, - (1643—1796,) 231
  • Gaspar Smitz, - (— 1707,) 233
  • Thomas Van Wyck - (1616—1686) 234
  • John Van Wyck, - (— 1702,) 235
  • Sir Martin Beckman, 235
  • Henry Van [der] Straaten, 235
  • J. Woolaston, 236
  • John Schnell, - (1672—1714,) 237
  • Sir Ralph Cole, [baronet,] 237
  • — Hefele, 237
  • The Bishop of Ely. 238
  • Simon Digby, 238
  • Susan Penelope Rose, 238
  • Mary More, 238
  • John Bushnell, - (— 1701,) 239
  • Thomas Stanton, 241
  • D. Le Marchand 241
  • William Talman, 241
  • Sir William Wilson 242
  • Chapter XVI - Painters and Other Artists in the Reign of Queen Anne. 243
  • [antonio] Pelegrini, - (1675—1741,) 243
  • Marco Ricci, or Rizzi, - (1679—1729,) 244
  • — Baker 245
  • James Bogdani 245
  • William Claret, - (— 1706,) 245
  • Thomas Murray, - (1666—1724,) 246
  • Hugh Howard, - (—1737,) 246
  • James Parmentier, - (1658—1730,) 247
  • John Vander Vaart, - (1647—1721,) 248
  • Rhodolphus Shmutz - (—— 1715,) 248
  • — Preudhomme, 249
  • Colonel Seymour, 249
  • [charles] Boit, - (— 1726,) 249
  • Lewis Crosse, - (— 1724,) 251
  • Francis Bird. - (1667—1731.) 252
  • Sir John Vanbrugh, - (1666—1726,) 254
  • —roberti, 258
  • —bagotti 258
  • John Croker 258
  • Louis Laguerre, - (1663—1721,) 261
  • Michael Dahl, - (1656—1743,) 264
  • Peter Angelis, - (1685—1734,) 266
  • Antony Russel, - (— 1743,) 267
  • Luke Cradock, - (— 1717,) 267
  • Peter Casteels, - (1684—1749,) 268
  • —d'Agar, 269
  • Charles Jervas, - (1675—1739.) 269
  • Jonathan Richardson - (1665—1745) 273
  • [giuseppe] Grisoni - (— 1769) 277
  • William Aikman - (1682-1731) 278
  • John Alexander, 278
  • Sir James Thornhill, - (1676—1734,) 279
  • Robert Brown 283
  • [antonio] Bellucci, - (1654—1726,) 283
  • Balthazar Denner, - (1685—1747,) 285
  • Francis [paul] Ferg, - (1689—1740,) 286
  • Thomas Gibson, - (1680—1751,) 287
  • [thomas] Hill 287
  • Peter Monamy, - (— 1749,) 287
  • James Van Huysum, 288
  • James Maubert, - (—1746,) 288
  • [antoine] Pesne, - (1683—1757,) 288
  • John Stevens, 288
  • John Smibert, - (— 1751,) 289
  • — Trevett - (— 1723) 290
  • Henry Trench - (— 1726) 290
  • Peter Tillemans - (1684—1734) 290
  • John Vanderbank, - (1694—1739,) 292
  • Samuel Barker, 292
  • Peter Vanbleeck - (—1764,) 292
  • [herman] Vandermijn, - (1684—1741,) 293
  • Enoch Zeeman. - (— 1744.) 294
  • [antoine] Watteau. - (1684—1721,) 295
  • Robert Woodcock, - (1692—1728,) 296
  • Isaac Whood - (1689—1752) 297
  • [isaac] Vogelsang, - (1688—1753,) 297
  • — Zurich, - (— 1735,) 297
  • Christian Richter, - (— 1732) 298
  • Jacques Antoine Arlaud - (1668—1743) 298
  • Mrs. Hoadley, 300
  • Chapter XVIII - Architects and Other Artists in the Reign of George I. 302
  • Nicholas Hawksmoor. - (1667—1736.) 303
  • James Gibbs, - (1683—1754,) *
  • Colin Campbell, 312
  • John James, 312
  • — Carpentiere, 313
  • Charles Christian Reisen, - (1680—1725,) 313
  • Chapter XIX - Painters in the Reign of King George Ii. 316
  • Hans Huyssing, 317
  • Charles Collins 317
  • — Cooper 318
  • Bartholo Mew Dandridge, 318
  • —— Damini, 318
  • Jeremiah Davison, - (— 1745,) 318
  • John Ellis, 318
  • Philip Mercier, - (1689—1760,) 319
  • Joseph Francis Nollekins, - (1702—1747,) 319
  • — Robinson, 320
  • AndrÉa Soldi, 320
  • Chevalier Rusca, 320
  • Stephen Slaughter - (— 1765,) 321
  • James Worsdale 321
  • Ranelagh Barrett - (— 1768,) 321
  • John Wootton, - (— 1765,) 322
  • Joseph Highmore, - (1692—1780,) 322
  • Thomas Hudson, - (1701—1779,) 323
  • Francis Hayman, - (1708—1776,) 324
  • Samuel Scott, - (—1772,) 325
  • Mr. Taverner, 326
  • George Knapton - (1698—1778) 326
  • Francis Cotes, - (1726—1770,) 327
  • William Oram 327
  • John Shackleton 327
  • Giacomo Amiconi, - (1675—1762,) 327
  • James Seymour - (1702—1752,) 329
  • John Baptist Vanloo, - (1684—1746,) 330
  • Joseph Vanaken. 331
  • — Clermont, 332
  • [antonio] Canaletti, - (1697—1768,) 332
  • — Joli, 333
  • George Lambert, - (— 1765.) 333
  • Thomas Worlidge, - (1700—1766,) 334
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 336

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.