A Century of Sonnets: The Romantic-Era Revival 1750-1850

By Paula R. Feldman; Daniel Robinson | Go to book overview

299. On Chillon

Eternal spirit of the chainless mind!
Brightest in dungeons, Liberty! thou art,
For there thy habitation is the heart—
The heart which love of thee alone can bind;
And when thy sons to fetters are consigned—
To fetters, and the damp vault's dayless gloom,
Their country conquers with their martyrdom,
And Freedom's fame finds wings on every wind.
Chillon! thy prison is a holy place,
And thy sad floor an altar—for 'twas trod,
Until his very steps have left a trace
Worn, as if thy cold pavement were a sod,
By Bonnivard!—May none those marks efface!
For they appeal from tyranny to God.

(1816)


300. 'Rousseau—Voltaire—our Gibbon—and de Staël'

Rousseau—Voltaire—our Gibbon—and de Staël—
Leman! these names are worthy of thy shore,
Thy shore of names like these! wert thou no more,
Their memory thy remembrance would recall:
To them thy banks were lovely as to all,
But they have made them lovelier, for the lore
Of mighty minds doth hallow in the core
Of human hearts the ruin of a wall
Where dwelt the wise and wondrous; but by thee
How much more, Lake of Beauty! do we feel,
In sweetly gliding o'er thy crystal sea,
The wild glow of that not ungentle zeal,
Which of the heirs of immortality
Is proud, and makes the breath of glory real!

(1816)


John Keats
(1795–1821)

John Keats's first published poem, like Wordsworth's, was a sonnet: “To Soli-
tude” appeared in John and Leigh Hunt's newpaper, the Examiner, in 1816.
Keats continued to write sonnets throughout his short career, variously ex-
perimenting with new forms and practicing old ones. Keats's sonnets are
lush, impassioned and psychological, informed by a sense of the poet's own
short lifespan troped by the brief duration of the form itself. His long, ornate
early poem “Endymion” (1818) inspired savage reviews. He wrote his finest
poems, including “The Eve of St. Agnes, ” “Lamia, ” “La Belle Dame sans

-151-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
A Century of Sonnets: The Romantic-Era Revival 1750-1850
Table of contents

Table of contents

  • Title Page *
  • Contents v
  • Acknowledgments xxi
  • Introduction 3
  • Notes 18
  • Suggested Further Reading 21
  • Editorial Principles 23
  • Thomas Edwards(1699–1757) 25
  • Thomas Warton(1728–90) 26
  • John Codrington Bampfylde (1754–96) 27
  • Charlotte Smith (1749–1806) 29
  • Samuel Egerton Brydges(1762–1837) 39
  • William Hayley (1745–1820) 40
  • Helen Maria Williams(1761–1827) 42
  • William Lisle Bowles(1762–1850) 44
  • Thomas Russell(1762–88) 48
  • Mary Locke(Fl. 1791–1816) 50
  • Ann Radcliffe(1764–1823) 51
  • Anna Maria Jones(1748–1829) 54
  • Samuel Taylor Coleridge(1772–1834) 55
  • Amelia Opie(1769–1853) 65
  • John Thelwall(1764–1834) 66
  • Mary Julia Young(Fl. 1789–1808) 68
  • Charles Lamb(1775–1834) 70
  • Mary Robinson(1758–1800) 73
  • William Beckford(1760–1844) 91
  • Charles Lloyd(1775–1839) 91
  • Robert Southey(1774–1843) 94
  • Edward Gardner(Fl. 1770–98) 97
  • Joseph Hucks(D. 1800) 98
  • Anna Seward(1742–1809) 99
  • Ann Home Hunter(1742–821) 106
  • Eliza Kirkham Mathews(1772–1802) 106
  • William Cowper(1731–1800) 107
  • Henry Kirke White(1785–1806) 108
  • Mrs. B. Finch(Fl. 1805) 109
  • Anna Maria Smallpiece(Fl. 1805) 110
  • William Wordsworth(1770–1850) 111
  • Mathilda Betham(1776–1852) 133
  • Susan Evance(Fl. 1808–18) 134
  • Martha Hanson(Fl. 1809) 136
  • Mary F. Johnson(Fl. 1810; D. 1863) 138
  • Mary Tighe(1772–1810) 141
  • Leigh Hunt(1784–1859) 145
  • Mary Bryan(Fl. 1815) 148
  • George Gordon, Lord Byron(1788–1824) 150
  • John Keats(1795–1821) 151
  • Percy Bysshe Shelley(1792–1822) 163
  • Jane Alice Sargant(Fl. 1817–21) 167
  • Thomas Doubleday(1790–1870) 168
  • Horace Smith(1779–1849) 170
  • John Clare(1793–1864) 170
  • Thomas Lovell Beddoes(1803–49) 176
  • Charles Johnston(D. 1823) 177
  • Elizabeth Cobbold(1767–1824) 178
  • John F. M. Dovaston(1782–1852) 180
  • Sarah Hamilton(C. 1769–1843) 181
  • Thomas Moore(1779–1852) 182
  • Mary Russell Mitford(1787–1855) 183
  • Barry Cornwall (Bryan Waller Procter)(1787–1874) 184
  • Joseph Blanco White(1775–1841) 185
  • Thomas Hood(1799–1845) 186
  • Edward Moxon(1801–58) 187
  • William Roscoe(1753–1831) 188
  • Charles Tennyson Turner(1808–79) 189
  • Alfred Tennyson(1809–92) 192
  • Agnes Strickland(1796–1874) 193
  • Frederick Tennyson(1807–98) 195
  • Hartley Coleridge(1796–1849) 196
  • Letitia Elizabeth Landon(1802–38) 199
  • Jane Cross Simpson(1811–86) 200
  • Felicia Hemans(1793–1835) 201
  • Caroline Norton(1808–77) 204
  • Ebenezer Elliott(1781–1849) 206
  • Frederick William Faber(1814–63) 206
  • Frances Anne Kemble(1809–93) 208
  • Eliza Cook(1818–89) 209
  • Arthur Hugh Clough(1819–61) 210
  • William Bell Scott(1811–90) 211
  • Dante Gabriel Rossetti(1828–82) 213
  • Elizabeth Barrett Browning(1806–61) 215
  • Appendix - Mary Robinson's Preface to Sappho and Phaon 233
  • Notes 239
  • Notes to the Poems and Sources 241
  • Index of Titles, Authors and First Lines 265
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 279

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.