A Century of Sonnets: The Romantic-Era Revival 1750-1850

By Paula R. Feldman; Daniel Robinson | Go to book overview

Horace Smith
(1779–1849)

Percy Bysshe Shelley saw great irony in the fact that his friend Horace Smith,
whom he considered the most generous of men, was also a successful stock-
broker.With his brother James, Smith published the highly successful liter-
ary parody Rejected Addresses (1812), which lampooned Southey, Words-
worth, and Scott. He wrote his sonnet “Ozymandias” in competition with
Shelley and was also the author of a popular novel, Brambletye House (1826).


342. Ozymandias

In Egypt's sandy silence, all alone,
Stands a gigantic leg, which far off throws
The only shadow that the desert knows:—
“I am great Ozymandias, ” saith the stone,
“The King of Kings; this mighty City shows
The wonders of my hand.”—The city's gone, —
Nought but the leg remaining to disclose
The site of this forgotten Babylon.

We wonder, —and some hunter may express
Wonder like ours, when through the wilderness
Where London stood, holding the wolf in chase,
He meets some fragment huge, and stops to guess
What powerful but unrecorded race
Once dwelt in that annihilated place.

(1818)


John Clare
(1793–1864)

John Clare's first volume, Poems Descriptive of Rural Life and Scenery (1820),
was a literary sensation. Of laboring-class origins, Clare was known as a
“peasant poet” who had little formal education, who had worked as a farm
laborer, and who had no literary pretentions. His aim was to capture the or-
dinary experience of rural life in a natural idiom.This he did, much as Burns
had some decades before. His fame was short-lived, however; he spent the last
twenty-five years of his life suffering from severe mental illness and confined
to an institution.There, he wrote much of his best poetry, which remained
largely unpublished until the twentieth century.


343. The Primrose

Welcome, pale Primrose! starting up between
Dead matted leaves of ash and oak, that strew
The every lawn, the wood, and spinney through,

-170-

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A Century of Sonnets: The Romantic-Era Revival 1750-1850
Table of contents

Table of contents

  • Title Page *
  • Contents v
  • Acknowledgments xxi
  • Introduction 3
  • Notes 18
  • Suggested Further Reading 21
  • Editorial Principles 23
  • Thomas Edwards(1699–1757) 25
  • Thomas Warton(1728–90) 26
  • John Codrington Bampfylde (1754–96) 27
  • Charlotte Smith (1749–1806) 29
  • Samuel Egerton Brydges(1762–1837) 39
  • William Hayley (1745–1820) 40
  • Helen Maria Williams(1761–1827) 42
  • William Lisle Bowles(1762–1850) 44
  • Thomas Russell(1762–88) 48
  • Mary Locke(Fl. 1791–1816) 50
  • Ann Radcliffe(1764–1823) 51
  • Anna Maria Jones(1748–1829) 54
  • Samuel Taylor Coleridge(1772–1834) 55
  • Amelia Opie(1769–1853) 65
  • John Thelwall(1764–1834) 66
  • Mary Julia Young(Fl. 1789–1808) 68
  • Charles Lamb(1775–1834) 70
  • Mary Robinson(1758–1800) 73
  • William Beckford(1760–1844) 91
  • Charles Lloyd(1775–1839) 91
  • Robert Southey(1774–1843) 94
  • Edward Gardner(Fl. 1770–98) 97
  • Joseph Hucks(D. 1800) 98
  • Anna Seward(1742–1809) 99
  • Ann Home Hunter(1742–821) 106
  • Eliza Kirkham Mathews(1772–1802) 106
  • William Cowper(1731–1800) 107
  • Henry Kirke White(1785–1806) 108
  • Mrs. B. Finch(Fl. 1805) 109
  • Anna Maria Smallpiece(Fl. 1805) 110
  • William Wordsworth(1770–1850) 111
  • Mathilda Betham(1776–1852) 133
  • Susan Evance(Fl. 1808–18) 134
  • Martha Hanson(Fl. 1809) 136
  • Mary F. Johnson(Fl. 1810; D. 1863) 138
  • Mary Tighe(1772–1810) 141
  • Leigh Hunt(1784–1859) 145
  • Mary Bryan(Fl. 1815) 148
  • George Gordon, Lord Byron(1788–1824) 150
  • John Keats(1795–1821) 151
  • Percy Bysshe Shelley(1792–1822) 163
  • Jane Alice Sargant(Fl. 1817–21) 167
  • Thomas Doubleday(1790–1870) 168
  • Horace Smith(1779–1849) 170
  • John Clare(1793–1864) 170
  • Thomas Lovell Beddoes(1803–49) 176
  • Charles Johnston(D. 1823) 177
  • Elizabeth Cobbold(1767–1824) 178
  • John F. M. Dovaston(1782–1852) 180
  • Sarah Hamilton(C. 1769–1843) 181
  • Thomas Moore(1779–1852) 182
  • Mary Russell Mitford(1787–1855) 183
  • Barry Cornwall (Bryan Waller Procter)(1787–1874) 184
  • Joseph Blanco White(1775–1841) 185
  • Thomas Hood(1799–1845) 186
  • Edward Moxon(1801–58) 187
  • William Roscoe(1753–1831) 188
  • Charles Tennyson Turner(1808–79) 189
  • Alfred Tennyson(1809–92) 192
  • Agnes Strickland(1796–1874) 193
  • Frederick Tennyson(1807–98) 195
  • Hartley Coleridge(1796–1849) 196
  • Letitia Elizabeth Landon(1802–38) 199
  • Jane Cross Simpson(1811–86) 200
  • Felicia Hemans(1793–1835) 201
  • Caroline Norton(1808–77) 204
  • Ebenezer Elliott(1781–1849) 206
  • Frederick William Faber(1814–63) 206
  • Frances Anne Kemble(1809–93) 208
  • Eliza Cook(1818–89) 209
  • Arthur Hugh Clough(1819–61) 210
  • William Bell Scott(1811–90) 211
  • Dante Gabriel Rossetti(1828–82) 213
  • Elizabeth Barrett Browning(1806–61) 215
  • Appendix - Mary Robinson's Preface to Sappho and Phaon 233
  • Notes 239
  • Notes to the Poems and Sources 241
  • Index of Titles, Authors and First Lines 265
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