A Century of Sonnets: The Romantic-Era Revival 1750-1850

By Paula R. Feldman; Daniel Robinson | Go to book overview

395. The Maniac

Sweet summer flowers were braided in her hair,
As if in mockery of the burning brow
Round which they drooped and withered—singing now
Strains of wild mirth, and now of vain despair,
Came the poor wreck of all that once was fair,
And rich in high endowments, ere deep woe
Like a dark cloud came o'er her, and laid low
Reason's proud fane, and left no brightness there.
Yet you might deem that grief was with the rest
Of all her cares forgotten, save when songs
And tales she heard of faithful love unblessed,
Of man's deceit, and trusting maiden's wrongs.
Then, and then only, in her lifted eyes,
Remembrance beamed, and tears would slowly rise.

(1850)


396. The Infant

I saw an infant—health, and joy, and light
Bloomed on its cheek and sparkled in its eye;
And its fond mother stood delighted by,
To see its morn of being dawn so bright.
Again I saw it, when the withering blight
Of pale disease had fallen, moaning lie
On that sad mother's breast—stern Death was nigh,
And Life's young wings were fluttering for their flight.
Last, I beheld it stretched upon the bier,
Like a fair flower untimely snatched away,
Calm and unconscious of its mother's tear,
Which on its placid cheek unheeded lay;
But on its lip the unearthly smile expressed,
“Oh! happy child! untried and early blessed!”

(1850)


Frederick Tennyson
(1807–98)

Frederick Tennyson assisted his brothers, Charles and Alfred, with the publi-
cation of their Poems by Two Brothers by silently contributing three or four
poems. He wrote in both Greek and English, and his poetry reveals an inter-
est in classical subjects. Days and Hours (1854) was well received by some, but
others unfairly compared his work to that of his more famous brother. He
had an interest in spiritualism and the paranormal and was a friend of Robert
and Elizabeth Barrett Browning.

-195-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
A Century of Sonnets: The Romantic-Era Revival 1750-1850
Table of contents

Table of contents

  • Title Page *
  • Contents v
  • Acknowledgments xxi
  • Introduction 3
  • Notes 18
  • Suggested Further Reading 21
  • Editorial Principles 23
  • Thomas Edwards(1699–1757) 25
  • Thomas Warton(1728–90) 26
  • John Codrington Bampfylde (1754–96) 27
  • Charlotte Smith (1749–1806) 29
  • Samuel Egerton Brydges(1762–1837) 39
  • William Hayley (1745–1820) 40
  • Helen Maria Williams(1761–1827) 42
  • William Lisle Bowles(1762–1850) 44
  • Thomas Russell(1762–88) 48
  • Mary Locke(Fl. 1791–1816) 50
  • Ann Radcliffe(1764–1823) 51
  • Anna Maria Jones(1748–1829) 54
  • Samuel Taylor Coleridge(1772–1834) 55
  • Amelia Opie(1769–1853) 65
  • John Thelwall(1764–1834) 66
  • Mary Julia Young(Fl. 1789–1808) 68
  • Charles Lamb(1775–1834) 70
  • Mary Robinson(1758–1800) 73
  • William Beckford(1760–1844) 91
  • Charles Lloyd(1775–1839) 91
  • Robert Southey(1774–1843) 94
  • Edward Gardner(Fl. 1770–98) 97
  • Joseph Hucks(D. 1800) 98
  • Anna Seward(1742–1809) 99
  • Ann Home Hunter(1742–821) 106
  • Eliza Kirkham Mathews(1772–1802) 106
  • William Cowper(1731–1800) 107
  • Henry Kirke White(1785–1806) 108
  • Mrs. B. Finch(Fl. 1805) 109
  • Anna Maria Smallpiece(Fl. 1805) 110
  • William Wordsworth(1770–1850) 111
  • Mathilda Betham(1776–1852) 133
  • Susan Evance(Fl. 1808–18) 134
  • Martha Hanson(Fl. 1809) 136
  • Mary F. Johnson(Fl. 1810; D. 1863) 138
  • Mary Tighe(1772–1810) 141
  • Leigh Hunt(1784–1859) 145
  • Mary Bryan(Fl. 1815) 148
  • George Gordon, Lord Byron(1788–1824) 150
  • John Keats(1795–1821) 151
  • Percy Bysshe Shelley(1792–1822) 163
  • Jane Alice Sargant(Fl. 1817–21) 167
  • Thomas Doubleday(1790–1870) 168
  • Horace Smith(1779–1849) 170
  • John Clare(1793–1864) 170
  • Thomas Lovell Beddoes(1803–49) 176
  • Charles Johnston(D. 1823) 177
  • Elizabeth Cobbold(1767–1824) 178
  • John F. M. Dovaston(1782–1852) 180
  • Sarah Hamilton(C. 1769–1843) 181
  • Thomas Moore(1779–1852) 182
  • Mary Russell Mitford(1787–1855) 183
  • Barry Cornwall (Bryan Waller Procter)(1787–1874) 184
  • Joseph Blanco White(1775–1841) 185
  • Thomas Hood(1799–1845) 186
  • Edward Moxon(1801–58) 187
  • William Roscoe(1753–1831) 188
  • Charles Tennyson Turner(1808–79) 189
  • Alfred Tennyson(1809–92) 192
  • Agnes Strickland(1796–1874) 193
  • Frederick Tennyson(1807–98) 195
  • Hartley Coleridge(1796–1849) 196
  • Letitia Elizabeth Landon(1802–38) 199
  • Jane Cross Simpson(1811–86) 200
  • Felicia Hemans(1793–1835) 201
  • Caroline Norton(1808–77) 204
  • Ebenezer Elliott(1781–1849) 206
  • Frederick William Faber(1814–63) 206
  • Frances Anne Kemble(1809–93) 208
  • Eliza Cook(1818–89) 209
  • Arthur Hugh Clough(1819–61) 210
  • William Bell Scott(1811–90) 211
  • Dante Gabriel Rossetti(1828–82) 213
  • Elizabeth Barrett Browning(1806–61) 215
  • Appendix - Mary Robinson's Preface to Sappho and Phaon 233
  • Notes 239
  • Notes to the Poems and Sources 241
  • Index of Titles, Authors and First Lines 265
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 279

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.