A Century of Sonnets: The Romantic-Era Revival 1750-1850

By Paula R. Feldman; Daniel Robinson | Go to book overview

437. V. Angelica Rescued from the Sea-Monster, by Ingres; in the
Luxembourg

A remote sky, prolonged to the sea's brim:
One rock-point standing buffeted alone,
Vexed at its base with a foul beast unknown,
Hell-spurge of geomaunt and teraphim:
A knight, and a winged creature bearing him,
Reared at the rock: a woman fettered there,
Leaning into the hollow with loose hair
And throat let back and heartsick trail of limb.
The sky is harsh, and the sea shrewd and salt.
Under his lord, the griffin-horse ramps blind
With rigid wings and tail. The spear's lithe stem
Thrills in the roaring of those jaws: behind,
The evil length of body chafes at fault.
She doth not hear nor see—she knows of them.

(1850)


438. VI. The same

Clench thine eyes now, —'tis the last instant, girl:
Draw in thy senses, set thy knees, and take
One breath for all: thy life is keen awake, —
Thou may'st not swoon. Was that the scattered whirl
Of its foam drenched thee?—or the waves that curl
And split, bleak spray wherein thy temples ache?—
Or was it his the champion's blood to flake
Thy flesh?—Or thine own blood's anointing, girl? …
… Now, silence; for the sea's is such a sound
As irks not silence; and except the sea,
All is now still. Now the dead thing doth cease
To writhe, and drifts. He turns to her: and she
Cast from the jaws of Death, remains there, bound,
Again a woman in her nakedness.

(1850)


Elizabeth Barrett Browning
(1806–61)

Elizabeth Barrett lived most of her life as an invalid in the home of a tyran-
nical father until she began a correspondence with Robert Browning
(1812–89), who was a relatively obscure poet during her lifetime. He fell in
love with her through her poetry. The two secretly married and eloped to
Italy, where they lived happily until her death in 1861. Barrett Browning de-
scribes her love for her husband in her enduring Sonnets from the Portuguese.
The title seems to suggest that the sequence is a translation from the Por-
tuguese language, but it is really a private reference to her poem “Catarina to

-215-

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A Century of Sonnets: The Romantic-Era Revival 1750-1850
Table of contents

Table of contents

  • Title Page *
  • Contents v
  • Acknowledgments xxi
  • Introduction 3
  • Notes 18
  • Suggested Further Reading 21
  • Editorial Principles 23
  • Thomas Edwards(1699–1757) 25
  • Thomas Warton(1728–90) 26
  • John Codrington Bampfylde (1754–96) 27
  • Charlotte Smith (1749–1806) 29
  • Samuel Egerton Brydges(1762–1837) 39
  • William Hayley (1745–1820) 40
  • Helen Maria Williams(1761–1827) 42
  • William Lisle Bowles(1762–1850) 44
  • Thomas Russell(1762–88) 48
  • Mary Locke(Fl. 1791–1816) 50
  • Ann Radcliffe(1764–1823) 51
  • Anna Maria Jones(1748–1829) 54
  • Samuel Taylor Coleridge(1772–1834) 55
  • Amelia Opie(1769–1853) 65
  • John Thelwall(1764–1834) 66
  • Mary Julia Young(Fl. 1789–1808) 68
  • Charles Lamb(1775–1834) 70
  • Mary Robinson(1758–1800) 73
  • William Beckford(1760–1844) 91
  • Charles Lloyd(1775–1839) 91
  • Robert Southey(1774–1843) 94
  • Edward Gardner(Fl. 1770–98) 97
  • Joseph Hucks(D. 1800) 98
  • Anna Seward(1742–1809) 99
  • Ann Home Hunter(1742–821) 106
  • Eliza Kirkham Mathews(1772–1802) 106
  • William Cowper(1731–1800) 107
  • Henry Kirke White(1785–1806) 108
  • Mrs. B. Finch(Fl. 1805) 109
  • Anna Maria Smallpiece(Fl. 1805) 110
  • William Wordsworth(1770–1850) 111
  • Mathilda Betham(1776–1852) 133
  • Susan Evance(Fl. 1808–18) 134
  • Martha Hanson(Fl. 1809) 136
  • Mary F. Johnson(Fl. 1810; D. 1863) 138
  • Mary Tighe(1772–1810) 141
  • Leigh Hunt(1784–1859) 145
  • Mary Bryan(Fl. 1815) 148
  • George Gordon, Lord Byron(1788–1824) 150
  • John Keats(1795–1821) 151
  • Percy Bysshe Shelley(1792–1822) 163
  • Jane Alice Sargant(Fl. 1817–21) 167
  • Thomas Doubleday(1790–1870) 168
  • Horace Smith(1779–1849) 170
  • John Clare(1793–1864) 170
  • Thomas Lovell Beddoes(1803–49) 176
  • Charles Johnston(D. 1823) 177
  • Elizabeth Cobbold(1767–1824) 178
  • John F. M. Dovaston(1782–1852) 180
  • Sarah Hamilton(C. 1769–1843) 181
  • Thomas Moore(1779–1852) 182
  • Mary Russell Mitford(1787–1855) 183
  • Barry Cornwall (Bryan Waller Procter)(1787–1874) 184
  • Joseph Blanco White(1775–1841) 185
  • Thomas Hood(1799–1845) 186
  • Edward Moxon(1801–58) 187
  • William Roscoe(1753–1831) 188
  • Charles Tennyson Turner(1808–79) 189
  • Alfred Tennyson(1809–92) 192
  • Agnes Strickland(1796–1874) 193
  • Frederick Tennyson(1807–98) 195
  • Hartley Coleridge(1796–1849) 196
  • Letitia Elizabeth Landon(1802–38) 199
  • Jane Cross Simpson(1811–86) 200
  • Felicia Hemans(1793–1835) 201
  • Caroline Norton(1808–77) 204
  • Ebenezer Elliott(1781–1849) 206
  • Frederick William Faber(1814–63) 206
  • Frances Anne Kemble(1809–93) 208
  • Eliza Cook(1818–89) 209
  • Arthur Hugh Clough(1819–61) 210
  • William Bell Scott(1811–90) 211
  • Dante Gabriel Rossetti(1828–82) 213
  • Elizabeth Barrett Browning(1806–61) 215
  • Appendix - Mary Robinson's Preface to Sappho and Phaon 233
  • Notes 239
  • Notes to the Poems and Sources 241
  • Index of Titles, Authors and First Lines 265
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