Russians on Russian Music, 1880-1917: An Anthology

By Stuart Campbell | Go to book overview

Russians on Russian music, 1880–1917

This second anthology of Russian writing on Russian music begins in 1880 (where the first volume concluded) and ends in 1917. It brings for the first time to an English-speaking readership the thoughts of leading Russian music critics as they react to the Russian music new to them, during a period when all aspects of musical life were developing rapidly. Music criticism had become more sure-footed, if no less opinionated. These reviews demonstrate greater awareness both of music history and of contemporary music abroad. The period covers the late careers of Tchaikovsky and Rimsky-Korsakov as well as late works of Borodin and Balakirev, and the emergence of Musorgsky's compositions. Works by the intervening generation, including Arensky, Glazunov and Lyadov, are also reviewed and the book concludes with coverage of works by the Moscow School, including Medtner, Rachmaninoff and Skryabin and the early compositions of Stravinsky and Prokofiev.

Stuart Campbell is Honorary Senior Research Fellow in the Department of Music and at the Institute for Central and East European Studies, University of Glasgow. He is author of V. F. Odoyevsky and the Formation of Russian Musical Taste in the Nineteenth Century (1989) and editor and translator of Russians on Russian Music, 1830–1880 (1994).

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Russians on Russian Music, 1880-1917: An Anthology
Table of contents

Table of contents

  • Title Page *
  • Contents vii
  • Preface ix
  • Introduction xi
  • Sources xv
  • Chapter One - Tchaikovsky 1
  • Chapter Two - Rimsky-Korsakov 42
  • Chapter Three - Other Composers of the Former Balakirev Circle 92
  • Chapter Four - The Belyayev Generation 132
  • Chapter Five - Moscow and Her Composers 168
  • Chapter Six - New Stylistic Directions 198
  • Epilogue 234
  • Index 259
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