Appadurai, A. (1996) Modernity at Large: Cultural Dimensions of Globalization, Minneapolis: University of Minnesota Press.
Beinart, P. (1997) "An illusion for our time," New Republic 20 October: 20.
"Black Sun: The Eyes of Four" (1986, Spring) (Catalog), Aperture 102: special issue.
Boris, S. (1997) Toshio Shibata, Chicago: Museum of Contemporary Art.
Brougher, K. (1993) "Hiroshi Sugimoto: memories in black and white," in Sugimoto, Los Angeles: Museum of Contemporary Art.
Cotter, H. (1997) "Hiroshi Sugimoto," New York Times 18 April.
Enyeart, J. (1992) "Terraces of splendor and destiny," in K. Yamagishi (ed.) Photographs by Toshio Shibata, Tokyo: Asahi Shinbun.
Featherstone, M. (1990) "Global culture: an introduction," Theory, Culture & Society 7 (2-3): 1-14.
--(1996) "Localism, globalism, and cultural identity," in R. Wilson and W. Dissanayake (eds) Global/Local: Cultural Production and the Transnational Imaginary, Durham, NC: Duke University Press.
Goldberg, V. (1992) "Cherry blossoms, plastics, morality plays," New York Times 20 December, section 2: 35.
Gupta, A. and Ferguson, J. (1992) "Beyond 'culture': space, identity, and the politics of difference," Cultural Anthropology 7: 19.
Harvey, D. (1995) "Globalization in question," Rethinking Marxism 8 (4): 2.
Hiroshi, U. (1995) "Aisatsu" (Greetings), in Tokyo kokuritsu kindai bijutsukan to shashin 1953-1995 (Photography and the National Museum of Art, Tokyo, 1953-1995), Tokyo: Tokyo Kokuritsu Kindai Bijutsukan.
Huntington, S.P. (1993) "The clash of civilizations?" Foreign Affairs Summer: 22-49.
Inside/Out: Contemporary Japanese Photography (1994) Inside/Out: Contemporary Japanese Photography, Charlotte, NC: Light Factory Photographic Arts Center.
Ishihara, E. (1996) "Toshio Shibata - the pure art of a craftsman," in Toshio Shibata: Landscape, Tucson, AZ: Nazraeli Press.
Kuspit, D. (1993) "Toshio Shibata" (exhibition review), Artforum International April.
Leach, M.R. (1994) "Origins? Questions? Translations? A Westerner's meditations on contemporary Japanese photography," in Inside/Out: Contemporary Japanese Photography, Charlotte, NC: Light Factory Photographic Arts Center.
McCormack, G. (1996) The Emptiness of Japanese Affluence, Armonk, NY: Sharpe.
Munroe, A. (1994) Japanese Art After 1945: Scream Against the Sky, New York: Abrams.
Nakamura, Y. (1995) "Landscape today," in T. Shibata (ed.), Terra: In Pursuit of New Landscape, Tokyo: Toshi shuppan.
Osaka, E., and Kline, K. (eds) (1989) Against Nature: Japanese Art in the Eighties, New York: Grey Art Gallery and Study Center at New York University, MIT List Visual Arts Center, and Japan Foundation.
Ozawa, T. (1994) Bakumatsu: Shashin no jidai (The Closing Years of the Tokugawa Period: The age of Photography), Tokyo: Chikuma shobō, p. 7.
Stearns, R. (1995) "Space, time, and memory," in Photography and Beyond in Japan, Tokyo: Hara Museum of Contemporary Art.
Szarkowski, J. (1974) "Introduction," in New Japanese Photography, New York: Museum of Modern Art.
Travis, D. (1991) "Fukase's face and photographs," in The Solitude of Ravens: Masahisa Fukase, San Francisco: Bedford Arts.
Questia, a part of Gale, Cengage Learning. www.questia.com
Book title: Globalizing Japan: Ethnography of the Japanese Presence in Asia, Europe, and America.
Contributors: Harumi Befu - Editor, Sylvie Guichard-Anguis - Editor.
Place of publication: London.
Publication year: 2001.
Page number: 148.
This material is protected by copyright and, with the exception of fair use, may
not be further copied, distributed or transmitted in any form or by any means.