AFTER WORLD WAR II forced the cancellation of the 1940 and 1944 Olympic Games, Olympic competition resumed in 1948, hosted by London. Although England remained in a state of grim disrepair, the performance of three female track-and-field athletes shone through the bleakness of the postwar European setting. Francina "Fanny" Blankers-Koen, competing for the Netherlands, won an astounding four gold medals with victories in the one hundred-and two hundred-meter sprints, the eighty-meter hurdles, and four hundred-meter relay. The Dutch athlete was heralded not only for her medals but for achieving her success as an adult married woman-a full-time housewife and the mother of two children. Among Europeans her fame was rivaled only by the French athlete Micheline Ostermeyer, winner of gold medals in the shot put and discus and a bronze in the high jump. Ostermeyer, in addition to her athletic excellence, was a concert pianist whose musical ability and middle-class background marked her as a "respectable" woman in a sport many perceived as unwomanly. 1 The third athlete was Alice Coachman, a high jumper from Albany, Georgia. As a track and basketball star for Tuskegee Institute, Coachman had established a reputation as the premier black woman athlete of the 1940s. Her single gold medal in the high jump could not match the totals of Blankers-Koen or Ostermeyer. Nevertheless, it was historically significant, both as the only individual track-and-field medal won by U.S. women and, more important, as the first medal ever received by a woman of African descent.
The superlative performances of these three Olympic champions earned them only momentary glory in the United States. Their names quickly faded from public view, overshadowed by male Olympians and athletes like Barbara Ann Scott, the Canadian Olympic figure-skating champion, whose sport earned far more attention and approval than women's track and field. Track athletics, like basketball, had excited enormous public interest as a women's sport in the 1920s and early 1930s. But even more so than basketball, track had fallen victim to negative media coverage and organized efforts to eliminate it from school and international competition.
By midcentury the sport had a reputation as a "masculine" endeavor unsuited to feminine athletes. Few American women participated, and those who did endured caricatures as amazons and muscle molls. In this climate, despite the temporary enthusiasm inspired
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Publication information: Book title: Sport and the Color Line: Black Athletes and Race Relations in Twentieth-Century America. Contributors: Patrick B. Miller - Editor, David K. Wiggins - Editor. Publisher: Routledge. Place of publication: New York. Publication year: 2004. Page number: 211.
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