The Psychology of Music: A Survey for Teacher and Musician

By Max Schoen | Go to book overview

SELECTED BIBLIOGRAPHY
1. Abraham Otto and Hornbostel E. M. v. "Zur Psychologic der Tondistanz." Ztsch. f. Psychol., 1925, 98, 233-249.
2. Adler M. J. "Music appreciation: an experimental approach to its measurement." Arch. of Psychol., 1929, 110.
3. Agnew M. "The auditory imagery of great composers." Psychol. Monogr., 1922, 31, 279-287.
4. Anschütz G. "Untersuchungen zur Analyse musikalischer Photismen." Farbe-Ton Forschungen, Leipzig, 1927.
5. Arreat Lucien. "Observation sur une musicienne." Rev. Phil., 1903, 28.
6. Auer Leopold. Violin playing as I teach it. New York, Stokes, 1921.
7. Baerwald R. Zur Psychologie der Vorstellungstypen, mit besonderer Berücksichtigung der motorischen und musikalischen Anlage. Leipzig, Barth, 1916.
8. Bahle J. "Psychologie des Einfalls und der Inspiration in musikalischen Schaffen." Acta Psychologica, 1935, 1, 7-29.
9. Baier D. E. "The loudness of complex tones." J. exper. Psychol., 1936, 19, 280-307.
10. Bean K. L. "An experimental approach to the reading of music." Psychol. Monogr., 1938, 50, 80.
11. Bean K. L. "Reading music instead of spelling it." J. of Musicol., 1939, 1, 1-5.
12. Beaunis H. "L'Emotion Musicale." Rev. Phil., 1918, 86, 353-369.
13. Belaiew-Exemplarsky S. "Das musikalische Empfinden im Vorschulalter." Ztsch. f. ang. Psychol., 1928, 27, 177-216.
14. Belaiew-Exemplarsky S. "Die Auffassung melodischer Bewegung." Arch. f. d. ges. Psychol., 1934, 92, 370-422.
15. Belaiew-Exemplarsky S. "Grundsätzliches für die Untersuchung der Musikalität und ihre Elemente." Psychotech. Ztsch., 1928, 3, 107-111.
16. Belaiew-Exemplarsky S. Zur Psychologie der Musikwahrnehmung. Moscow: Russky Knischnik, 1924.
17. Belaiew-Exemplarsky S. and Jaworsky B. "Die Wirkung des Tonkomplexes bei melodischer Gestaltung." Arch. f. d. ges. Psychol., 1926, 57, 489-522.
18. Bernfeld S. "Zur Psychologie der Unmusikalischen." Arch. f. d. ges. Psychol., 1915, 34, 235-254.
19. Blind E. E. "An experiment with monotones." Music Educators J., 1938, 24, 37-39.
20. Bogen D. "The significance of tonal memory and sense of pitch in musical talent." Psychol. Bull., 1933, 30, 599.
21. Borchers O. J. "The relation between intensity and harmonic structure in voice." Psychol. Rec., 1939, 3, 59-67.
22. Boring E. G. and Stevens S. S. "The nature of tonal brightness." Proc. Nat. Acad. Sci., 1936, 22, 514-521.

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