REFERENCES
Brook, Peter (1948) “Style in Shakespearean Production”, John Lehman (ed.) Orpheus I. London: 139-46.
Brook, Peter (1989) The Shifting Point: Forty Years of Theatrical Exploration. London.
Coursen, H.F. (1991) “The Peter Brook/Orson Welles King Lear”, Shakespeare on Film Newsletter XV, 3 (April).
Davies, Anthony and Wells, Stanley (1994) Shakespeare and the Moving Image: The Plays on Film and Television. Cambridge: Cambridge University Press.
Griffin, Alice (1955) “Shakespeare Through the Camera's Eye 1953-54”, Shakespeare Quarterly VI:65-6.
Higham, Charles (1985) Orson Welles: The Rise and Fall of an American Genius. New York and London: St Martin's Press.
Leeming, Glenda (1985) Orson Welles. London.
Rosenberg, Marvin (1954) “Shakespeare on TV: An Optimistic Survey”, Quarterly Journal of Film, Radio and Television IX, 2 (Winter): 166-74.
Wadsworth, Frank W. (1954) “Sound and Fury: King Lear on Television”, Quarterly Journal of Film, Radio and Television VIII, 3 (Spring): 254-68.
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Welles, Orson and Peter Bogdanovich (1993) This Is Orson Welles. London.
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Questia, a part of Gale, Cengage Learning. www.questia.com
Publication information:
Book title: Shakespeare, the Movie: Popularizing the Plays on Film, TV, and Video.
Contributors: Lynda E. Boose - Editor, Richard Burt - Editor.
Publisher: Routledge.
Place of publication: London.
Publication year: 1997.
Page number: 134.
This material is protected by copyright and, with the exception of fair use, may not be further copied, distributed or transmitted in any form or by any means.
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