John Donne: The Critical Heritage - Vol. 2

By A. J. Smith; Catherine Phillips | Go to book overview

76.

Herbert John Clifford Grierson

1906

Professor H.J.C. Grierson (1866-1960) of the University of Aberdeen, who would become Donne's greatest editor, embarked upon his study of Donne with an attempt to place Donne's poetry in relation to other writing of the time (The First Half of the Seventeenth Century, 1906, pp. 139-64).

Chapman comes at the head of a chapter on seventeenth-century poetry as a useful reminder that 'fantastic' is not a very distinctive title to apply to the poetry of Donne and his followers, -that if conceit and far-fetched similitudes are a sign of decadence, then Elizabethan poetry was born decadent, for from first to last it is, in Arnold's phrase, 'steeped in humours and fantasticality up to its very lips'.

It is difficult, in the absence of such contemporary evidence as is afforded to-day by critical reviews, to date exactly the changes in poetical taste. It seems clear, however, that in the closing years of the sixteenth century there was a reaction against the diffuse, flamboyant, Italianate poetry which Spenser, Sidney, and Lodge had made fashionable, -a reaction which showed itself in the satires of Hall and Marston, but found its fullest expression in the poetry-much of which is satirical-of Donne and of Jonson, who took the place in courtly circles which had been held earlier by Spenser and Sidney.

…it was the endeavour to give a denser intellectual texture to poetry which gave both harshness and obscurity to the verse of the two poets who began the movement that ended with Dryden. These two poets, the chief shaping influences of Jacobean and Caroline poetry-John Donne (1573-1631) and Ben Jonson (1573? -1637)-were not only almost exactly contemporary, but were knit together by many common sympathies. They were both impatient of the diffuse and flamboyant style of the Spenserian and Italianate poets, and willing for the sake of pregnancy and vigour to overlook harshness and obscurity. Both were certainly admirers and imitators of Latin poetry, especially satirical and elegiac, and both cultivated a vein of frank, even cynical and brutal, satire. They

-259-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
John Donne: The Critical Heritage - Vol. 2
Table of contents

Table of contents

  • Title Page iii
  • General Editor's Preface v
  • Contents vii
  • Preface xi
  • Acknowledgements xii
  • Note on the Text xiv
  • Introduction xv
  • 1. - Henry Morley 1
  • 3. - William Minto 3
  • 5. - Alice King 15
  • 9. - Edmund Gosse 24
  • 11. - George Edward Bateman Saintsbury 26
  • 13. - Margaret Woods 31
  • 15. - W.F. Collier 50
  • 17. - Gamaliel Bradford 52
  • 21. - Sir Edmund Kerchever Chambers 70
  • 25. - George Edward Bateman Saintsbury 89
  • 29. - Thomas Bird Mosher 102
  • 31. - Augustus Jessopp 105
  • 32. - Anon., Academy 108
  • 35. - Henry Augustin Beers 115
  • 44. - Francis Thompson 180
  • 46. - Anon., Academy 184
  • 48. - Anon., Nation 187
  • 52. - Anon., Quarterly Review 206
  • 59. - Rudolf Richter 221
  • 69. - Charles Eliot Norton 249
  • 73. - Martin Grove Brumbaugh 254
  • 74. - Charles Crawford 255
  • 76. - Herbert John Clifford Grierson 259
  • 79. - Alfred Horatio Upham 272
  • 83. - Janet Spens 295
  • 84. - Phoebe Anne Beale Sheavyn 302
  • 85. - William Macdonald Sinclair 303
  • 89. - Herbert John Clifford Grierson 317
  • 93. - Evelyn Mary Simpson (Née Spearing) 352
  • 94. - Anon., Nation 353
  • 95. - Felix E. Schelling 356
  • 97. - Rupert Brooke 359
  • 100. - Ernest Percival Rhys 370
  • 102. - Sir Sidney Colvin 390
  • 106. - David Macleane 395
  • 107. - Ezra Pound 396
  • 118. - Logan Pearsall Smith 410
  • 126. - Louise Imogen Guiney 432
  • 128. - Herbert John Clifford Grierson 437
  • 132. - Stuart Petre Brodie Mais 451
  • 134. - Elbert Nevius Sebring Thompson 453
  • 137. - William Butler Yeats 457
  • 138. - Robert Seymour Bridges 458
  • Appendix A. 463
  • Appendix B. 467
  • Appendix C: 474
  • Index 475
  • The Critical Heritage Series 502
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 504

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.