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INDEX
Page numbers in bold denote a chapter/major section devoted to subject. Page numbers in italic denote an illustration. n denotes a footnote.
a
Abbey Theatre 164-72, 179 ;
Anglo-Irish playwrights 168, 169-70, 172 ;
comparison between English plays and plays of 167-8 ;
criticism of Synge's Playboy 169, 171 ;
English as dominant language 166 ;
and Gaelic 165-6, 167, 170 ;
search for new stage language 166, 167, 168-9, 170-1, 172
aboriginal people 113, 115, 121 ;
portrayed in It's Never Too Late to Mend 142-3
Aboriginal theatre 123-9 ;
and costumes of survival 123-7 ;
ritualized marking of body 124, 125
dhya, Vaisnav Caran 20
Adorno, Theodor W. 239
Africa:
decolonization of in France through negritude movement 182-4
see also Cesaire, Aimé;
see also South Africa
African Research and Educational Puppetry Program (AREPP) 159
Africans:
and anti-imperialist theatrical forms in Caribbean 243-52
Ahmad, Aijaz 1
AIDS 159
Algeria:
struggle for independence depicted in The Screens 236-7, 240
Alloula, Malek 92, 95
Alvarez, Francisco 79
Amabali 152
Amankulor, J. Ndukaku 206
America see United States
ANC (African National Congress) 149
Anglo-Irish playwrights:
at the Abbey Theatre 168, 169-70, 172
Anthias, Floya 41, 49
Antigone and the Others (Karvas) 224
Anzac legend 107-9, 111, 115 ;
concept of mateship 112-13
Arendt, Hannah 11-12
AREPP (African Research and Educational Puppetry Program) 159
Artaud, Antonin 202, 211 n
Ashcroft, W.D. 46, 107
Asiatic Society of Bengal 21
'Aussie digger' 107-9
Austen, Jane:
Mansfield Park 133, 134, 136
Australia 105, 111 ;
and Anzac myth 107-9, 111, 112-13, 115 ;
colonies depicted in It's Never Too Late to Mend 139-40, 142 ;
Dickens' portrayal of colonies 139
Australian theatre 104 ;
cultural imperialism in Visions 116, 118 ;
emphasis on cross gender and cross-race dressing in Shimada 109, 111-13 ;
gender dimension of imperialism 106-7, 118-23 ;
portrait of soldier figure in Inside the Island 113, 115-16 ;
portrayal of Aussie digger 107-9 ;
see also Aboriginal theatre

b
Babar the Elephant (de Brunhoff) 99-100
bābus (Bengali intelligentsia):
influence on Bengali theatre 19, 20, 22, 23-4

-257-

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Publication Information: Book Title: Imperialism and Theatre: Essays on World Theatre, Drama, and Performance. Contributors: J. Ellen Gainor - editor. Publisher: Routledge. Place of Publication: New York. Publication Year: 1995. Page Number: 257.
    
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