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| | INDEX Page numbers in bold denote a chapter/major section devoted to subject. Page numbers in italic denote an illustration. n denotes a footnote. a | | comparison between English plays and plays of 167-8 ; | | | criticism of Synge's Playboy 169, 171 ; | | | English as dominant language 166 ; | | | portrayed in It's Never Too Late to Mend 142-3 | | | Aboriginal theatre 123-9 ; | | | and costumes of survival 123-7 ; | | | ritualized marking of body 124, 125 | | | decolonization of in France through negritude movement 182-4 | | | African Research and Educational Puppetry Program (AREPP) 159 | | | and anti-imperialist theatrical forms in Caribbean 243-52 | | | struggle for independence depicted in The Screens 236-7, 240 | | | Amankulor, J. Ndukaku 206 | | | America see United States | | | ANC (African National Congress) 149 | | | Antigone and the Others (Karvas) 224 | | | AREPP (African Research and Educational Puppetry Program) 159 | | | Asiatic Society of Bengal 21 | | | colonies depicted in It's Never Too Late to Mend 139-40, 142 ; | | | Dickens' portrayal of colonies 139 | | | cultural imperialism in Visions 116, 118 ; | | | emphasis on cross gender and cross-race dressing in Shimada 109, 111-13 ; | | | portrait of soldier figure in Inside the Island 113, 115-16 ; | | | portrayal of Aussie digger 107-9 ; | | | see also Aboriginal theatre | b | | Babar the Elephant (de Brunhoff) 99-100 | | | bābus (Bengali intelligentsia): | -257- | | |
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Publication Information: Book Title: Imperialism and Theatre: Essays on World Theatre, Drama, and Performance. Contributors: J. Ellen Gainor - editor. Publisher: Routledge. Place of Publication: New York. Publication Year: 1995. Page Number: 257.
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