| actor: |
| child in, 27, 30, 95, 98, 108 |
| aggression, 107 |
| An Actor Prepares,38, 39, 59 |
| Archer, William, 35, 121 |
| Aristotle, 7, 10, 12 |
| Artaud, Antonin, 24, 71, 76, 101 |
| athleticism of actor, 19, 25, 81 |
| audience, 25, 31, 100, 113, 119 |
| Bacchae, The,24 |
| balance, 20, 23, 24, 32, 45 |
| Barker, Howard, 124 |
| basic action drive, 57, 58 |
| beats, 52 |
| Beckett, Samuel, 29, 101 |
| Bernhardt, Sarah, 2, 8 |
| Blau, Herbert, 67 |
| body: |
| as actor's instrument, 19, 22, 45, 81 |
| Bogarde, Dirk, 110 |
| Boleslavsky, Richard, 38, 39 |
| Brando, Marlon, 2, 8, 38, 70 |
| breathing, 23 |
| Brecht, Bertolt, 2, 16, 65, 71, 75, 101, 102 |
| Brook, Peter, 24, 63, 77, 93 |
| Building a Character,39, 59 |
| Callow, Simon, 106, 113 |
| capitalism: |
| and the actor, 107 |
| Celts: |
| as actors, 114 |
| centre: |
| of actor's work, 22, 23, 25, 46, 47 |
| Chaikin, Joseph, 24 |
| character, 4, 6, 17, 27, 40, 48, 52, 54, 58, 62, 64, 68 ; |
| through line of, 73, 74, 87, 124 |
| Chekhov, Michael, 55 |
| Cherry Orchard, The,60 |
| clarity, 47, 48 |
| comedy: |
| playing in, 16, 48, 50, 106, 107 |
| Commedia dell'Arte,23, 66 |
| Copeau, Jacques, 65, 66, 68 |
| Coquelin, Constant, 35, 36 |
| courage, 113, 126 |
| Craig, Gordon, 87, 92 ; |
| and Über Marionette,17, 64 |
| Creating a Role,39 |
| critics, 95, 105, 106 |
| Cruelty, Theatre of, 76, 77 |
| curtain call, 9 |
| danger: |
| as a force in acting, 107 -20 |
| death: |
| as a force in acting, 111, 114, 120, 122, 126 ; |
| 'corpsing', 110 |
| Death of a Salesman,44 |
| deconstruction, 123 -6 |
| Derrida, Jacques, 123, 125 |
| design, 15, 83, 90 ; |
| and costume, 89 |
| Diderot, Denis, 4, 34, 35, 121 |
| différance,123, 125 |
| Dionysus, 112, 113, 121 |
-132-
Questia, a part of Gale, Cengage Learning. www.questia.com
Publication information:
Book title: Acting.
Contributors: John Harrop - Author.
Publisher: Routledge.
Place of publication: New York.
Publication year: 1992.
Page number: 132.
This material is protected by copyright and, with the exception of fair use, may not be further copied, distributed or transmitted in any form or by any means.
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