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Acting

By: John Harrop | Book details

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Page 132
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Index

a
actor:
child in, 27, 30, 95, 98, 108
aggression, 107
An Actor Prepares,38, 39, 59
Archer, William, 35, 121
Aristotle, 7, 10, 12
Artaud, Antonin, 24, 71, 76, 101
athleticism of actor, 19, 25, 81
audience, 25, 31, 100, 113, 119

b
Bacchae, The,24
balance, 20, 23, 24, 32, 45
Barker, Howard, 124
basic action drive, 57, 58
beats, 52
Beckett, Samuel, 29, 101
Bernhardt, Sarah, 2, 8
Blau, Herbert, 67
body:
as actor's instrument, 19, 22, 45, 81
Bogarde, Dirk, 110
Boleslavsky, Richard, 38, 39
Brando, Marlon, 2, 8, 38, 70
breathing, 23
Brecht, Bertolt, 2, 16, 65, 71, 75, 101, 102
Brook, Peter, 24, 63, 77, 93
Building a Character,39, 59

c
Callow, Simon, 106, 113
capitalism:
and the actor, 107
Celts:
as actors, 114
centre:
of actor's work, 22, 23, 25, 46, 47
Chaikin, Joseph, 24
character, 4, 6, 17, 27, 40, 48, 52, 54, 58, 62, 64, 68 ;
through line of, 73, 74, 87, 124
Chekhov, Michael, 55
Cherry Orchard, The,60
clarity, 47, 48
comedy:
playing in, 16, 48, 50, 106, 107
Commedia dell'Arte,23, 66
Copeau, Jacques, 65, 66, 68
Coquelin, Constant, 35, 36
courage, 113, 126
Craig, Gordon, 87, 92 ;
and Über Marionette,17, 64
Creating a Role,39
critics, 95, 105, 106
Cruelty, Theatre of, 76, 77
curtain call, 9

d
danger:
as a force in acting, 107 -20
death:
as a force in acting, 111, 114, 120, 122, 126 ;
'corpsing', 110
Death of a Salesman,44
deconstruction, 123 -6
Derrida, Jacques, 123, 125
design, 15, 83, 90 ;
and costume, 89
Diderot, Denis, 4, 34, 35, 121
différance,123, 125
Dionysus, 112, 113, 121

-132-

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