Anecdotes of Painting in England: With Some Account of the Principal Artists - Vol. 3

By Horace Walpole | Go to book overview
Save to active project

Alexander Brome, 1664, æt. 44.

Dr. John Wallis. [The mathemati- cian.]

John Pearson, Bishop of Chester, from the life.

John Cockshut. [Nobilis Anglus.]

The seven Bishops, copied from White's plate for Loggan by Vander- bank, who worked for him towards the end of his life. [5l. 7s. 6d. —S.]

James, Duke of Ormond, in an oval.

James, Duke of Monmouth [and Buccleugh,] young, in the robes of the garter, [in an oval of oak leaves.] The handsomest print of him. [21l. 10s. -S.]

James, Earl of Derby. [Large 4to.]

Thomas Sanders. Flesshire pinx.

Dr. Richard Allestry, from the life.

Peter Gunning, Bishop of Ely. [2l. 6s.]

Edward Waterhouse.

Mr. Joshua Moone.

Dr. Henry More.

George Walker of Londonderry.

Leonard Plukenet, 1690.

Archbishop Sancroft, from the life.

William Loyd, Bishop of St. Asaph.

Queen Henrietta Maria.

Frontispiece to a Common-prayer- book in folio, 1687, designed by John Bapt. Gaspars.

Titus Oates.

Sir George Wharton, but no name, æt. 46.

Another, 1657.

George, Prince of Denmark, from the life.

Pope Innocent XI.

An emblematic print of Cromwell at length in armour. A. M. Esq. fe.

The Academy of Pleasure, 1665. Head of a man with a high-crowned hat.

Frontispiece to Rea's Florist, some- thing in the manner of Cornel. Galle.

Frontispiece to Guidott's Thermœ Britannicœ.


Anne, Duchess of Monmouth.

Gilbert Sheldon, Archbishop of Can- terbury, ad vivum, 13l. 2s. 6d.—S.

Dr. Isaac Barrow, 12l.—S.

James Sharp, Archbishop of St. Andrews, 14l.—Bindley.

Col. Giles Strangeways, in armour, 6l. 10s.—Bindley.

Henry Hibbert; Arthur Jackson ; James Janeway—Portraits to books.

George, Earl of Berkeley, in his robes, 1679. 12l.—S.

John Dolben, Bishop of Rochester, John Fell, Bishop of Oxford, and Dr. R. Allestry, called Chipley, Chopley, and Chepley. Lely pinx. 27l. 16s. 6d.—S. [It is marked only D. Loggan, excudit, and is a mezzotint.]

William Holder. Arthur Jackson.

Thomas Saunders de Ireton, a curi- ous unfinished proof, 6l. 8s.—S.

Edward Benlowes, in a sheet con- taining a view of London and Old St. Paul's.

John Playford, musician, Richard Haydock, John Sparrow, "Amator Jacobi Behmen."

Archbishop Laud.

Loggan brought over with him Blooteling and Valcke, whom I am going to mention. Vanderbank worked for him, and one Peter Williamson, [see post, vol. iii. p. 234,] of whom I find no account, but that Vertue thought the emblematic print of Cromwell in the above list might be done by him.


came from Holland in 1672 or 73, when the French invaded it, but stayed not long, nor graved much here, but did some plates and some mezzotintos that were admired.

[Born at Amsterdam, 1634, according to Huber and others ; the year of his


Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
Loading One moment ...
Project items
Cite this page

Cited page

Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

Cited page

Bookmark this page
Anecdotes of Painting in England: With Some Account of the Principal Artists - Vol. 3
Table of contents

Table of contents



Text size Smaller Larger
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

While we understand printed pages are helpful to our users, this limitation is necessary to help protect our publishers' copyrighted material and prevent its unlawful distribution. We are sorry for any inconvenience.
Full screen
/ 354

matching results for page

Cited passage

Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.

Are you sure you want to delete this highlight?