Wrestling Angels into Song: The Fictions of Ernest J. Gaines and James Alan McPherson

By Herman Beavers | Go to book overview

Bibliography
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------. "Patterns of Performance in the West Indies". In Afro-American Anthropology: Contemporary Perspectives, ed. John F. Szwed and Norman E. Whitten. New York: Free Press, 1970.
------. "A Performance-Centered Approach to Gossip." Man n.s. 5 ( 1970): 290- 301.
Baker Houston A. Blues, Ideology, and Afro-American Literature: A Vernacular Theory. Chicago: University of Chicago Press, 1984.
------. The Journey Back: Issues in Black Literature and Criticism. Chicago: University of Chicago Press, 1984.
------. "To Move Without Moving: Creativity and Commerce in Ralph Ellison's Trueblood Episode". In Gates, ed., Black Literature and Literary Theory, 221- 48.
Baldwin James. "Going to Meet the Man". In Going to Meet the Man. New York: Laurel Publishing, 1981.
Barthes Roland. Mythologies. Trans. Annette Lavers. New York: Hill and Wang, 1972.
Barthold Bonnie J. Black Time: Fiction of Africa, the Caribbean, and the United States. New Haven, CT: Yale University Press, 1981.
Bascom William R. "Verbal Art." Journal of American Folklore 68 ( April/June 1955): 242-55.
Bauman Richard. "Verbal Art as Performance." American Anthropologist 77 ( June 1975): 290-311.
------. Verbal Art as Performance. Rowley, MA: Newbury House, 1977.
Beavers Herman. "The Cool Pose: Intersectionality, Masculinity, and Quiescence in the Comedy and Films of Richard Pryor and Eddie Murphy". In The Color of Manhood, ed. Harry Sticopoulos and Michael Uebel. Durham, NC: Duke University Press, 1994.
------. "I Yam What You Is and You Is What I Yam: Rhetorical Invisibility in James A. McPherson's 'The Story of a Dead Man.'" Callaloo 9, 4 (Spring 1987): 535-47.
------. Shared Centers of Ease: Healing and Kinship in James A. McPherson's 'The Story of a Scar.' Unpublished essay.
Ben-Amos, Dan and Kenneth Goldstein. Folklore: Performance and Communication. The Hague: Mouton, 1975.

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