Culture and Customs of Venezuela

By Mark Dinneen | Go to book overview

8
Art and Architecture

THE VISUAL ARTS were one of Venezuela's strongest areas of artistic activity in the twentieth century. The European avant-garde provided the initial inspiration for a process of renovation, with the best Venezuelan artists using the forms they discovered overseas as a starting point for creating painting and sculpture of great originality and vitality. Institutions to support those arts grew more numerous as the century progressed, with some impressive museums and private galleries being founded. At the same time, new possibilities for modern architecture were created by the rapid urbanization discussed in chapter 3; some startling, often controversial, buildings were erected. It was these achievements in the second half of the twentieth century that finally drew world attention to Venezuelan art and architecture, though previous eras had produced work of cultural value and importance.

The most impressive form of ancient artistic expression found in Venezuela is petroglyphs (designs carved into rock), of which numerous examples exist in Amazonas state. Most consist of huge figures in linear form, and probably served a magical-religious function. Other art produced by pre-Hispanic communities was neither elaborate nor monumental in scale, but archaeologists have discovered a range of significant artifacts. The oldest pottery dates from about 1000 B.C. Sophisticated in technique and designs, it has certain similarities with the Chavín culture which flourished in Peru at that period. From later centuries there are examples of funeral urns, animal and human figurines in pottery, and body adornments of shells and stones.

Religious imagery dominated the art of the colonial era. Sculpture was plentiful, if not of outstanding quality, with altarpieces and carvings of saints

-155-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Culture and Customs of Venezuela
Table of contents

Table of contents

  • Title Page iii
  • Contents vii
  • Illustrations ix
  • Series Foreword xi
  • Introduction xiii
  • Chronology xvii
  • 1: Context 1
  • 2: Religion 23
  • 3: Social Customs 45
  • 4: Broadcasting and Print Media 67
  • 5: Cinema 87
  • 6: Literature 109
  • 7: Performing Arts 131
  • 8: Art and Architecture 155
  • Glossary 179
  • Selected Bibliography 183
  • Index 185
  • About the Author 193
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 194

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.