Queer Universes: Sexualities in Science Fiction

By Wendy Gay Pearson; Veronica Hollinger et al. | Go to book overview

Alien Cryptographies:
The View from Queer

Wendy Gay Pearson

Fiction, then, can be divided according to the manner in which men's
relationships to other men and their surroundings are illuminated. If
this is accomplished by endeavoring faithfully to reproduce empirical
surfaces and textures vouched for by human senses and common sense,
I propose to call it naturalistic fiction. If, on the contrary, an endeavor is
made to illuminate such relations by creating a radically or significantly
different formal framework… I propose to call it estranged fiction.

— Darko Suvin, Metamorphoses of Science Fiction 18


1. Introduction: Fear of a Queer Galaxy

On November 25, 1998, the memberships of the USS Harvey Milk and the Voyager Visibility Project (offshoots of the lesbian and gay sf group, the Gaylaxians) issued a call for a boycott of the then soon-to-be-released Star Trek: Insurrection. After nearly two decades of lobbying the producers of the various Star Trek shows and movies for the inclusion of a lesbian or gay character1 in a cast intended to represent all types of humans (including a variety of racial and ethnic types, as well as both sexes2) and quite a miscellany of aliens, the group's membership has finally, it seems, had enough. Curious as it might seem at first glance, sf shows seem to be the last hold-outs in a medium that is rapidly accommodating itself to the idea that there really are lesbian and gay people in the 'real' world that television claims, however peculiarly, to reflect (in precisely that mode that Suvin labels 'naturalistic').

Spokespeople for the Voyager Visibility Project note, trenchantly enough, that despite the addition of visible lesbian and gay characters to non-sf television shows, 'it is just as important as ever to show that

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