Erotic Beasts and Social Monsters: Shakespeare, Jonson, and Comic Androgyny

By Grace Tiffany | Go to book overview
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Bibliography

Aeschylus. Aeschylus I: Oresteia. Edited by David Grene and Richmond Lattimore. Chicago: University of Chicago Press, 1953.

Allen, Don Cameron. Mysteriously Meant: The Rediscovery of Pagan Symbolism and Allegorical Interpretation in the Renaissance. Baltimore: Johns Hopkins University Press, 1970.

Altick, Richard D. “Symphonic Imagery in Richard II.” In Richard II, edited by Kenneth Muir, 199–234. New York: Signet, 1988.

Ambrose, Elizabeth Ann. The Hermetica: An Annotated Bibliography. Special edition of Sixteenth-Century Bibliography 30 (1992).

Aneau, Barthelemy. Picta Poesis ut Pictura Poesis Erit. Lyons, 1552.

Apuleius. Metamorphoses. Vols. 1 and 2. Edited and translated by Arthur Hanson. Cambridge: Harvard University Press, 1989.

Aristophanes. Four Plays by Aristophanes. Edited by William Arrowsmith, Richmond Lattimore, and Douglass Parker. New York: New American Library, 1962.

———. Aristophanes: The Eleven Comedies. New York: Liveright Publishing Co., 1943.

Ashworth, William B. “Reading the Natural World.” Talk given at the Folger Shakespeare Library, Washington, D.C., June 1993.

Athanassakis, Apostolos N, ed. and trans. The Orphic Hymns. Atlanta: Scholars Press, 1977.

Bamber, Linda. Comic Women, Tragic Men: A Study of Gender and Genre in Shakespeare. Stanford, Calif.: Stanford University Press, 1982.

Barish, Jonas. The Anti-theatrical Prejudice. Berkeley: University of California Press, 1981.

———. Benjonson and the Language of Prose Comedy. Cambridge: Harvard University Press, 1960.

Barton, Anne. Ben Jonson, Dramatist. Cambridge: Cambridge University Press, 1984.

———. “Falstaff and the Comic Community.” In Shakespeare's “Rough Magic,” edited by Peter Erickson and Coppelia Kahn. Newark: University of Delaware Press, 1985.

———. Introduction to As You Like It. In William Shakespeare, The Riverside Shakespeare, edited by G. Blakemore Evans, 365–68. Boston: Houghton Mifflin, 1974.

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