This is an expanded and revised version of an article that was originally published with
the same title in ARTnews LXIV ( April 1965), pp. 24-27 and 59-62. Thanks are due
to the editor of ARTnews for permission to reprint the article in this way.
Letter from Cézanne to the painter Louis LeBail; cited by John Rewald, The History
of Impressionism, rev. ed. ( New York: The Museum of Modern Art, 1962), p. 536.
Pissarro to H. van de Velde, March 27, 1896 as quoted in
J. Rewald, L'Histoire de
l'impressionnisme ( Paris, 1955), pp. 329-30.
Pissarro as cited in J. Rewald, Camille Pissarro ( New York, 1963), p. 18.
Oeuvres complètes de Jules Laforgue, Mélanges posthumes, 3rd ed. ( Paris, 1903), p. 133.
Camille Pissarro, Lettres à son fils Lucien, ed.
J. Rewald ( Paris, 1950), pp. 451 and 459
( March 7, 1898, and August 19, 1898).
Laforgue, op. cit., pp. 140 and 141.
Lettres à son fils Lucien, pp. 111 and 124 ( November 1886 and January 9, 1887).
Camille Pissarro 1830-1903, London ( Hayward Gallery), Paris ( Grand Palais), Boston
( Museum of Fine Arts), 1980-81, p. 29.
From the unpublished private notes of the painter Louis LeBail, who received Pissarro's advice during the years 1896-97, as quoted in Rewald, op. cit. ( 1955), pp. 279-80.
Lettres à son fils Lucien, p. 403 ( March 24, 1896).
Questia, a part of Gale, Cengage Learning. www.questia.com
Book title: The Politics of Vision:Essays on Nineteenth-Century Art and Society.
Contributors: Linda Nochlin - Author.
Publisher: Harper & Row.
Place of publication: New York.
Publication year: 1989.
Page number: 74.
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