Beckett and Badiou: The Pathos of Intermittency

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Proust (London: Chatto & Windus, 1931).

More Pricks than Kicks (1934; London: John Calder, 1970).

Murphy (1938; London: John Calder, 1963).

Molloy (Paris: Éditions de Minuit, 1951).

Malone meurt (Paris: Éditions de Minuit, 1951).

L’Innommable (Paris: Éditions de Minuit, 1951).

Nouvelles et textes pour rien (Paris: Éditions de Minuit, 1951).

Watt (1953; London: John Calder, 1963).

Trilogy: Molloy, Malone Dies, The Unnamable (1959; London: John Calder, 1994).

Comment c’est (Paris: Éditions de Minuit, 1961).

How It Is (London: John Calder, 1964).

Assez (Paris: Éditions de Minuit, 1966).

Sans (Paris: Éditions de Minuit, 1969).

Mercier et Camier (Paris: Éditions de Minuit, 1970).

Têtes-Mortes (Paris: Éditions de Minuit, 1972).

Mercier and Camier (London: John Calder, 1974).

Company (London: John Calder, 1979).

Ill Seen Ill Said (London: John Calder, 1981).

Mal vu mal dit (Paris: Éditions de Minuit, 1981).

Disjecta: Miscellaneous Writings and a Dramatic Fragment, ed. with a foreword Ruby Cohn (London: John Calder, 1983).

Worstward Ho (London: John Calder, 1983).

Collected Poems 1930–1978 (London: John Calder, 1986).

Stirrings Still, illustrations by Louis Le Brocquy (London: John Calder, 1988).

The Complete Dramatic Works (London: Faber and Faber, 1990).

Cap au pire, tr. Edith Fournier (Paris: Éditions de Minuit, 1991).

Dream of Fair to Middling Women (Dublin: Black Cat, 1992).

Theatrical Notebooks, general ed. James Knowlson, ii: Endgame, ed. with introd. and notes S. E. Gontarski (London: Faber and Faber, 1992).

Theatrical Notebooks, iii: Krapp’s Last Tape, ed. with introd. and notes James Knowlson (London: Faber and Faber, 1992).

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