Index
Page numbers in italics refer to
illustrations| aesthetic experience of art: rejected by Duchamp, 225–26; Whitman’s theory of, 43, 45–46, 230, 239–42 | |
| amativeness and heterosexual attraction, 84 | |
| American nationalist aesthetics: and 1855 cover design, 188–89; in early conception of “Broad-Axe Poem,” 193–94; and eliminating foreign poetical devices, 41–42, 43, 45–46; and inclusivity, 135; need for, 89–90; and pride as healthy self-love, 157; theory of, 240–42; and words as materials, 232. See also democracy | |
| An American Primer, 159 | |
| anaphora, Whitman’s use of, 20–21, 45, 150 | |
| architectural model for poetry, 165, 240, 272n33 | |
| arrangement and rearrangement of language in writing process, 81, 120 | |
| art as process between artist and audience, 223–24. See also readers | |
| art of ideas. See conceptual art | |
| As a Strong Bird on Pinions Free, preface to, 37–38 | |
| Ashbery, John, 34, 122, 266n17 | |
| “As I Ebb’d with the Ocean of Life,” 88, 129 | |
| audience. See readers |
| Barthelme, Donald, 219 | |
| Beat poets, influence of Whitman on, 121–22 | |
| Bible: allusions to in breath metaphor, 149; creation of American, 163, 265n7; as influence on Whitman’s line, 25 | |
| The Birds of Long Island (Giraud) as source, 26, 82 | |
| “Blood Money,” 7 | |
| “The bodies of men and women.” See “I Sing the Body Electric” | |
| body parts, lists of, 79, 80, 81, 85, 228–29 | |
| book as material object, 190–92, 242, 267n29 | |
| book-making process: of 1855 |
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Questia, a part of Gale, Cengage Learning. www.questia.com
Publication information:
Book title: Collage of Myself: Walt Whitman and the Making of Leaves of Grass.
Contributors: Matt Miller - Author.
Publisher: University of Nebraska Press.
Place of publication: Lincoln, NE.
Publication year: 2010.
Page number: 283.
This material is protected by copyright and, with the exception of fair use, may not be further copied, distributed or transmitted in any form or by any means.
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