|List of Illustrations||vi|
|1||Toward a Genealogy of Indigenous Film Theory: Reading Hollywood Indians||1|
|2||Ideologies of (In)Visibility: Redfacing, Gender, and Moving Images||46|
|3||Tears and Trash: Economies of Redfacing and the Ghostly Indian||102|
|4||Prophesizing on the Virtual Reservation: Imprint and It Starts with a Whisper||145|
|5||Visual Sovereignty, Indigenous Atanarjuat (The Fast Runner) 190 Revisions of Ethnography, and Atanarjuat (The Fast Runner)||190|
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Publication information: Book title: Reservation Reelism: Redfacing, Visual Sovereignty, and Representations of Native Americans in Film. Contributors: Michelle H. Raheja - Author. Publisher: University of Nebraska Press. Place of publication: Lincoln, NE. Publication year: 2010. Page number: v.
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