Reckonings: Contemporary Short Fiction by Native American Women

By Hertha D. Sweet Wong; Lauren Stuart Muller et al. | Go to book overview

Summer 1913/Miskomini-Geezis/
Raspberry Sun

Louise Erdrich


PAULINE

The first time she drowned in the cold and glassy waters of Matchimanito, Fleur Pillager was only a child. Two men saw the boat tip, saw her struggle in the waves. They rowed over to the place she went down, and jumped in. When they lifted her over the gunwales, she was cold to the touch and stiff, so they slapped her face, shook her by the heels, worked her arms, and pounded her back until she coughed up lake water. She shivered all over like a dog, then took a breath. But it wasn’t long afterward that those two men disappeared. The first wandered off and the other, Jean Hat, got himself run over by his own surveyor’s cart.

It went to show, the people said. It figured to them all right. By saving Fleur Pillager, those two had lost themselves.

The next time she fell in the lake, Fleur Pillager was fifteen years old and no one touched her. She washed on shore, her skin a dull dead gray, but when George Many Women bent to look closer, he saw her chest move. Then her eyes spun open, clear black agate, and she looked at him. “You take my place,” she hissed. Everybody scattered and left her there, so no one knows how she dragged herself home. Soon after that we noticed Many Women changed, grew afraid, wouldn’t leave his house and would not be forced to go near water or guide the mappers back into the bush. For his caution, he lived until the day that his sons brought him a new tin bathtub. Then the first time he used it he slipped, got knocked out, and breathed water while his wife stood in the other room frying breakfast.

Men stayed clear of Fleur Pillager after the second drowning. Even though she was good-looking, nobody dared to court her because it was clear that Misshepeshu, the water man, the monster, wanted her for himself. He’s a devil, that one, love hungry with desire and maddened for the touch of young girls, the strong and daring especially, the ones like Fleur.

-222-

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Reckonings: Contemporary Short Fiction by Native American Women
Table of contents

Table of contents

  • Title Page iii
  • Credits vii
  • Contents xi
  • Introduction xiii
  • Paula Gunn Allen (1939–) 1
  • Burned Alive in the Blues 3
  • Deer Woman 17
  • Beth E. Brant (1941–) 25
  • Turtle Gal 27
  • Swimming Upstream 38
  • Diane Glancy (1941-) 45
  • Minimal Indian 47
  • Stamp Dance 54
  • An American Proverb 59
  • Anna Lee Walters (1946-) 61
  • Buffalo Wallow Woman 63
  • Las Vegas, New Mexico, July 1969 75
  • Apparitions 80
  • Janet Campbell Hale (1947–) 85
  • Claire 87
  • Linda Hogan (1947-) 111
  • Descent 113
  • Bush’s Mourning Feast 123
  • Leslie Marmon Silko (1948–) 129
  • Storyteller 131
  • Mistaken Identity 143
  • Patricia Riley - (1950-) 151
  • Damping Down the Road 153
  • Wisteria 166
  • Joy Harjo (1951–) 173
  • The Reckoning 175
  • The Crow and the Snake 182
  • The Woman Who Fell from the Sky 185
  • The Flood 189
  • Letter from the End of the Twentieth Century 192
  • Anita Endrezze (1952–) 195
  • Grandfather Sun Falls in Love with a Moon-Faced Woman 197
  • The Humming of Stars and Bees and Waves 204
  • Louise Erdrich (1954–) 211
  • Le Mooz 213
  • Summer 1913/Miskomini-Geezis/ Raspberry Sun 222
  • Almost Soup 234
  • Lazy Stitch 239
  • Kimberly M. Blaeser (1955–) 245
  • Like Some Old Story 247
  • Growing Things 252
  • Misha Nogha (1955–) 257
  • Memekwesiw 259
  • Sakura 263
  • Beth H. Piatote (1966–) 265
  • Beading Lesson 267
  • Life-Size Indian 270
  • Reid Gómez (1968–) 279
  • Electric Gods 281
  • Touch. Touch. Touching 289
  • Author Biographies and Bibliographies 293
  • Anthologies of Native American Literatures 303
  • Index 307
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