Modern Verse in English, 1900-1950

By David Cecil; Allen Tate | Go to book overview
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Good-bye your hens running in and out of the white house
Your absent-minded goats along the road, your black cows
Your greyhounds and your hunters beautifully bred
Your drums and your dolled-up Virgins and your ignorant
dead.


Corner Seat

Suspended in a moving night
The face in the reflected train
Looks at first sight as self-assured
As your own face-But look again:

Windows between you and the world
Keep out the cold, keep out the fright;
Then why does your reflection seem
So lonely in the moving night?


Theodore Roethke (Am. b. 1908)

Dolor

I have known the inexorable sadness of pencils,
Neat in their boxes, dolor of pad and paper-weight,
All the misery of manila folders and mucilage,
Desolation in immaculate public places,
Lonely reception room, lavatory, switchboard,
The unalterable pathos of basin and pitcher,
Ritual of multigraph, paper-clip, comma,
Endless duplication of lives and objects.
And I have seen dust from the walls of institutions,
Finer than flour, alive, more dangerous than silica,
Sift, almost invisible, through long afternoons of tedium,
Dripping a fine film on nails and delicate eyebrows,
Glazing the pale hair, the duplicate gray standard faces.

-535-

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Modern Verse in English, 1900-1950
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