The Duchess of Berry and the Court of Charles X

By Imbert De Saint-Amand | Go to book overview
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XXV
THE FINE ARTS

FROM 1824 to the end of the Restoration, the department of the Fine Arts, connected with the ministry of the King's household, was confided to the Viscount Sosthènes de la Rochefoucauld, son of the Duke de Doudeauville. He was then at the head of the museums, the royal manufactures, the Conservatory and the five royal theatres, -- the Opéra, the Français, the Odéon, the Opéra-Comique, and the Italiens.

From the point of view of arts and letters the reign of Charles X. was illustrious. The King encouraged, protected, pensioned the greater number of the great writers and artists who honored France. What is sometimes called in literature the generation of 1830 would be more exactly described as the generation of the Restoration. This régime can claim the glory of Lamartine, as poet. A body-guard of Louis XVIII., he was the singer of royalty. He published, in 1820, the first volume of his Méditations poétiques, in 1823 the second, and in 1829 the Harmonies. His literary success opened to him the doors of diplomacy. He was successively attaché of the

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