Notre-Dame de Paris

By Victor Hugo ; Alban Krailsheimer | Go to book overview

IV
A TEAR FOR A DROP OF WATER

THESE words were, so to speak, the point of intersection of two scenes which had up to then developed in parallel, simultaneously, each on its own stage; the one, which you have just read, at the Rat-hole, the other, which you are about to read, on the ladder of the pillory. The only witnesses to the first were the three women whose acquaintance the reader has just made; the spectators of the second were all the people whom we saw earlier, collecting in the Place de Grève around the pillory and the gibbet.

That crowd had been led to expect some sort of execution from the presence of the four sergeants posted since nine in the morning at each corner of the pillory, doubtless not a hanging, but a whipping, an ear-cropping, in a word, something; that crowd had swollen so rapidly that the four sergeants, hemmed in too closely, had more than once needed to 'compress' it, as the expression then went, by laying about them with their cudgels and backing their horses into it.

This mass of people, well trained in waiting for public executions, were not showing signs of undue impatience. They amused themselves looking at the pillory, a very simple sort of monument consisting of a cube of masonry some ten feet high, hollow inside. A very steep set of rough stone steps, known as the 'ladder' par excellence, led to the upper platform, on which could be seen a horizontal wheel of solid oak. The victim was fastened on to this wheel, kneeling, with his arms behind his back. A timber shaft, activated by a capstan concealed inside the small structure, set the wheel rotating, always fixed in a horizontal plane, and thus presented the condemned man's face to each corner of the square in succession. This was termed 'turning' a criminal.

As you can see, the pillory in the Grève was a long way from affording all the entertainment of the pillory in the

-244-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Notre-Dame de Paris
Table of contents

Table of contents

  • Notre-Dame De Paris i
  • Title Page iii
  • Contents v
  • Introduction vii
  • Note on the Text xxvi
  • Select Bibliography xxvii
  • A Chronology of Victor Hugo xxviii
  • Table of Contents 3
  • Note to the First Edition 7
  • Book One 13
  • I The Great Hall 13
  • II Pierre Gringoire 28
  • III Monsieur Le Cardinal 38
  • IV Maître Jacques Coppenole 45
  • V Quasimodo 54
  • VI La Esmeralda 61
  • Book Two 65
  • II The Place de Grève 68
  • III Besos Para Golpes⋆ 71
  • IV The Disadvantages of Following a Pretty Woman Through the Streets at Night 81
  • V The Disadvantages (Continued) 86
  • VI The Broken Pitcher 89
  • VII A Wedding Night 108
  • Book Three 119
  • I Notre-Dame 119
  • II A Bird's-Eye View of Paris 128
  • Book Four 153
  • I Kind Souls 153
  • II Claude Frollo 157
  • III Immanis Pecoris Custos Immanior Ipse⋆ [Of a Monstrous Flock a Still More Monstrous Keeper] 163
  • IV The Dog and His Master 171
  • V Claude Frollo (Continued) 173
  • VI Popularity 180
  • Book Five 181
  • I Abbas Beati Martini [The Abbot of Saint-Martin] 181
  • II This Will Kill That 192
  • Book Six 207
  • I An Impartial Look at the Old Magistracy 207
  • II The Rat-Hole 218
  • III The Story of a Maize Cake 223
  • IV A Tear for a Drop of Water 244
  • V The Story of the Cake (Concluded) 254
  • Book Seven 255
  • I Of the Danger of Confiding Your Secret to a Goat 255
  • II A Priest and a Philosopher are Two Different Things 270
  • III The Bells 279
  • IV 'AnÁГkh 282
  • V The Two Men in Black 296
  • VI The Effect That Can Be Produced by Seven Oaths Uttered in the Open Air 302
  • VII The Bogeyman-Monk 307
  • VIII Of the Usefulness of Windows Looking Out on to the River 315
  • Book Eight 323
  • I The Gold Écu Turned into a Dry Leaf 323
  • II The Gold Écu Turned into a Dry Leaf (continued) 333
  • III End of the Gold Écu Turned into a Dry Leaf 338
  • IV Lasciate Ogni Speranza [Ball Hope Abandon . . .] 342
  • V The Mother 356
  • VI Three Men's Hearts Differently Made 361
  • Book Nine 379
  • I Fever 379
  • II Hunchbacked, One-Eyed, Lame 391
  • III Deaf 395
  • IV Earthenware and Crystal 398
  • V The Key to the Red Door 409
  • VI The Key to the Red Door (continued) 412
  • Book Ten, I Gringoire Has Several Good Ideas in Succession in the Rue des Bernardins 417
  • II Become a Truand! 428
  • III Three Cheers for Pleasure! 431
  • IV An Awkward Friend 440
  • V The Private Retreat Where Monsieur Louis of France Says His Hours 460
  • VI Little Blade on the Prowl 491
  • VII Châteapers to the Rescue! 492
  • Book Eleven 495
  • I The Little Shoe 495
  • II La Creatura Bella Bianco Vestita (Dante) 528
  • III Phoebus' Marriage 537
  • IV Quasimodo's Marriage 538
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 561

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.