Changing the World: A Framework for the Study of Creativity

By David Henry Feldman; Mihaly Csikszentmihalyi et al. | Go to book overview

excellence, understanding creativity is worthy of our best efforts--and will probably require them.


REFERENCES

Abra J. ( 1988). Assaulting Parnassus: Theoretical views of creativity. Lanham, MD: University Press of America.

Albert R. ( 1969). Genius: "Present-day status of the concept, and its implications for the study of creativity and giftedness". American Psychologist, 24, 743-753.

_____. ( 1990). "Identity, experiences, and career choice among the exceptionally gifted and eminent". In M. A. Runco and R. S. Albert (eds.), Theories of creativity (pp. 13-34). Newbury Park, CA: Sage Publications.

Amabile T. ( 1983). The socialpsychology of creativity. New York: Springer-Verlag.

_____. ( 1985). "Motivation and creativity: Effects of motivational orientation on creative writers". Journal of Personality and Social Psychology, 48, 393- 399.

_____. ( 1990). "Within you, without you: The social psychology of creativity, and beyond". In M. A. Runco and R. S. Albert (eds.), Theories of creativity (pp. 61-91). Newbury Park, CA: Sage Publications.

Barron F. ( 1953). "Complexity-simplicity as a personality dimension". Journal of Abnormal and Social Psychology, 48, 163-172.

_____. ( 1955). "The disposition toward originality". Journal of Personality and Social Psychology, 51, 478-485.

Barron F. ( 1988). "Putting creativity to work". In R. Sternberg, Ed., The nature of creativity (pp. 76-98). New York: Cambridge University Press.

Barron F., and G. S. Welsh. ( 1952). "Artistic perception as a possible factor in personality style: Its measurement by a figure preference test". Journal of Psychology, 33, 199-203.

Brannigan A. ( 1981). The social basis of scientific discoveries. New York: Cambridge University Press.

Bruner J. S. ( 1972). "The nature and uses of creativity". American Psychologist, 27, 1-22.

Campbell R. L., and M. Bickhard. ( 1986). Knowing levels and developmental stages. Basel, Switzerland: Karger.

Carroll J. M., and R. L. Campbell. ( 1989). "Artifacts as psychological theories: The case of human-computer interaction". Behavior and Information Technology, 8, 247-256.

Chen J. C., L. T. Goldsmith, and D. H. Feldman. ( 1989, June). The crafted world: Children's understanding of the distinction between natural objects and artifacts. Paper presented at the Jean Piaget Society, Philadelphia, PA.

Chomsky N. ( 1968). Language and mind. New York: Harcourt, Brace, Jovanovich.

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Changing the World: A Framework for the Study of Creativity
Table of contents

Table of contents

  • Title Page iii
  • Copyright Acknowledgments v
  • Contents vii
  • Acknowledgments ix
  • Preface xi
  • 1 - A Framework for the Study of Creativity 1
  • References 40
  • 2 - The Fruits of Asynchrony: A Psychological Examination of Creativity 47
  • Notes 66
  • References 66
  • 3 - The Creators' Patterns 69
  • Notes 82
  • References 83
  • 4 - Creativity: Proof That Development Occurs 85
  • References 98
  • 5 - Creativity: Dreams, Insights, and Transformations 103
  • Note 132
  • References 132
  • 6 - The Domain of Creativity 135
  • References 155
  • 7 - Mamas Versus Genes: Notes from the Culture Wars 159
  • 8 - Conclusion: Creativity Research on the Verge 173
  • Bibliography 177
  • Index 179
  • About the Authors 181
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