Truls Melin: Galleri Lars Bohman

By Jones, Ronald | Artforum International, Summer 2004 | Go to article overview

Truls Melin: Galleri Lars Bohman


Jones, Ronald, Artforum International


At lunch with Truls Melin the week his new exhibition opened, we talked about his seven months in a mental institution, how he got there, and the exhibitions he has made since. This was his twelfth. The figurines were in his familiar ingenuous style; he describes them as "drunken" sailors. Togged up in naval uniforms, each statuette was slotted into a maze of steel conduits, and with all the shutdown valves interspersed throughout the piping, the allusion to the claustrophobic quarters of submarines was obvious. The structures and figures were uniformly painted in that cool green color proven to be calming yet gently energizing in places like subs, surgeries, and insane asylums where, in a heartbeat, things can go from numbing routine to hair on fire, fangs out. Metaphorically out of their depth and under the influence, the doomed seamen are consigned to an absurdly hermetic, commotion-free, schematic setting where order never comes second. It is an allegorical map of recirculating redundancies calculated to keep sensation to a minimum while foreclosing any hope of parole. The sailors are locked down in a soothing incubator for madness. Asked if his episode in the hospital affected his work, Melin answered, after a prolonged, pondering silence, "I don't know."

[ILLUSTRATION OMITTED]

It's not purely phantasm with Melin. He'd been struck by the sinking of the Russian submarine Kursk in the Barents Sea four years ago. But undersea craft have been important to him since the age of ten, when he photographed his own customized sub and ship models in a puddle of rainwater near his home in Malmo. He found those photographs in his parents' basement in 2000 and reprinted them; they hung in the back room of the gallery. Throughout his career, Melin has made up his idiosyncratic macroworld as if using toys from the attic. …

The rest of this article is only available to active members of Questia

Sign up now for a free, 1-day trial and receive full access to:

  • Questia's entire collection
  • Automatic bibliography creation
  • More helpful research tools like notes, citations, and highlights
  • Ad-free environment

Already a member? Log in now.

Notes for this article

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this article

This article has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this article

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this article

Cited article

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited article

Truls Melin: Galleri Lars Bohman
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this article

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.