Krzysztof Wodiczko: Galerie Lelong

By Avgikos, Jan | Artforum International, December 2005 | Go to article overview

Krzysztof Wodiczko: Galerie Lelong


Avgikos, Jan, Artforum International


Memorial art is inherently site-specific, as contingent on place as it is on the events that occasion its production. Its evocative power is predicated not only on the acknowledgment of loss but also on the idea of resistance: We will not forget the victims; we will not forget the violence; we will not be silent; we will not go gently into the night. This fusion of politics and passion also appears in the art of Krzysztof Wodiczko, which eulogizes the living, particularly those who are disadvantaged or who suffer at the hands of authority.

[ILLUSTRATION OMITTED]

Wodiczko is perhaps best known for works designed for public spaces that address the plight of the homeless. In the 1980s, he projected images of dirty, disheveled, and disoriented-looking people onto outdoor sculptures at night. The contrast between the disenfranchised nomads and the statues of robust, well-dressed civic leaders (some of which are located in the very parks where the homeless congregated) was an effective homage to a segment of the population previously relegated to virtual invisibility--at least in the eyes of government. IF YOU SEE SOMETHING ..., 2005, Wodiczko's first large-scale indoor digital projection and sound installation, addresses the anxious mood in New York as proclaimed by a current government ad campaign that encourages constant vigilance with the slogan "If You See Something, Say Something"--which prompts the question: Who is the enemy?

Projected in the darkened space of the main gallery were images of banks of tall frosted windows, fitted seamlessly within the interior architecture and framed images of people who took turns relating their stories as witnesses to or victims of governmental abuse. …

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