Public Proof of the Power of Rap Music; SIX in the City

Liverpool Echo (Liverpool, England), October 16, 2006 | Go to article overview

Public Proof of the Power of Rap Music; SIX in the City


Byline: Tonight: LAWRENCE WESTGAPH

EVEN without our new arena, Liverpool really is starting to attract the big names in music.

I recently went to see Public Enemy at the Carling Academy. Public Enemy were the most important rap group of the 80s and early 90s and paved the way for performers like Eminem and 50 cent who have made rap the most popular music on the planet today.

But Public Enemy were different. No skimpily clad women gyrating their derrieres in their videos. No waving hundred dollar bills at the camera.

Following in the footsteps of the likes of Curtis Mayfield, Bob Marley, Bob Dylan, JB Lenoir and Jimi Hendrix, Public Enemy added social commentary to their music, making it a vehicle for political change.

When others were rapping about their Adidas, Public Enemy were discussing media bias, racism in America, alcoholism, drug abuse and poverty.

Although not the first rappers to discuss these issues, they were certainly the most vocal and popular, their records went platinum at a time when hip hop was given very little airplay.

They were the first rap group to make extended world tours, which led to huge popularity and influence on hip-hop communities in Europe and Asia. …

The rest of this article is only available to active members of Questia

Sign up now for a free, 1-day trial and receive full access to:

  • Questia's entire collection
  • Automatic bibliography creation
  • More helpful research tools like notes, citations, and highlights
  • Ad-free environment

Already a member? Log in now.

Notes for this article

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this article

This article has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this article

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this article

Cited article

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited article

Public Proof of the Power of Rap Music; SIX in the City
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this article

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.